Since 1979, Rose Chong Costumiers have been dealing in elaborate and vibrant maximalist attire for hire. In 40 years, it has established itself as an iconic and legendary Melbourne staple among the Inner-North's queer scene. But neither Rose Chong's nor fancy-dress are as simple as they first seem according to Dan, one of the long-time "Chongettes" who works there. When considered with care and attention, they reveal glittering ideas of play and fun and community. From a queer lens - or rather, a mirror - this unassuming costume shop is a place where one might begin to conceive truths about themselves and their identities. How to Dress Like Me is a 5-minute documentary that contends with the intersections of play, queerness, and clothes.

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

Benoît built his paradise hidden from view, emancipated in his own way, resolved to face the constraints of a space which, in imaginations, conflicts with his identity. The countryside. One day, he and other queers from the area decide to organize the first Pride of the Périgord vert, because it is time to come out, to take up space to celebrate, heal, and finally open a path.

A conversation between Idrees Khan and his mother on how the celebrate their Trini culture in Orlando

Two drag queens living in a place where homophobia and transphobia are common open their hearts to the world, revealing the human being behind the makeup and wigs. They share the reality of drag as an art form and what it means to move forward as part of the LGBTTTI+ community in a Latin American context.

How well we know our cup of coffee?

Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

Dubbed New York's "Queen of the Night," proto–club kid Susanne Bartsch has been throwing unforgettable parties for over 30 years and is still going strong.

Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.

Gabriel Drolet-Maguire, a designer living in Montreal, takes us into their artistic world to discuss their HIV diagnosis. This is a timely and hopeful look at past and present day HIV/AIDS activism in Quebec.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.