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Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.

This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)

A short film shot on Super 8 which captures the last days of winter.

A film essay that approaches cinema as a water current, revisiting a body of previous essay films through the recurring image of water—rivers, seas, tides, and flows—to explore cinema as a fluid space of memory, movement, and transformation.

A Chinese girl returns home to Helsinki, with a desire to reassess her feelings about home, perfection, friendship, and regret. A tender dialogue is raised between father and daughter.

A fisherman looks forward to celebrating his 88th birthday on the Festa de São João. Shot on Super 8 in Foz do Douro, the film is a miniature portrait about the gentle wisdom of living.

Fog surrounds the peak of a mountain as summer wildflowers bloom.

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.

Made as part of the Winnipeg Film Group's "Super 8 Special" film incubator. This picture was captured on super 8 film, drip dyed with a mixture of india ink and water collected from Lake Winnipeg, then digitized and captured on VHS.