The Man Who Definitely Didn't Steal Hollywood

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity, and the murderous federal fugitive at the center of it all.

VH1 and SPIN magazine teamed up to present 'VH1 News Special: Grunge', an in-depth look at the Seattle-born movement that transformed popular music and the major players who made it happen.

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

An investigation into the rise of Itamar Ben Gvir and Bezalel Smotrich, two ministers driving Israel’s government, as they push a controversial agenda to reshape the nation’s democracy and expand its borders under a biblical vision.

This special takes a look at the show's origin and evolution, through interviews with the cast and original directors, featuring special musical performances, as well as behind the scenes commentary on Martin’s impact.

As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.

In 1970 the people of Karmi in Cyprus participate in an unprecedented experience: the shooting of the film "Beloved", with Hollywood cast and crew. This documentary functions as a kaleidoscope, transmitting images of that magical time and of the traumatic changes in their lives after the Turkish invasion. Four decades later, they revisit nostalgically those old beloved days.

« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.

Follows the crime and scandal that took down President Richard Nixon the day of the break-in at the Watergate Hotel.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

On September 16, 2022, in Teheran, the murder by police of the young Mahsa Amini, arrested for "wearing a headscarf contrary to the law", sparked off an unprecedented insurrection. Within hours, a spontaneous movement formed around the rallying cry: "Woman, life, freedom". For the first time, women, joined by men and students, took the initiative and removed their veils, the hated symbol of the Islamic Republic. The Iranian population, from all regions and social categories, rose up in protest. Social networks went wild. The diaspora (between 5–8 million Iranians) took up the cause, and the whole world discovered the scale of this mobilization: could the theocratic regime be overthrown this time?