In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

A short documentary about Arthur Penn.

DA-DUN DA-DUN DA-DUN-DA-DUN-DA-DUN-DA-DUN-DA-DUUUUN Henry Mancini’s iconic score, Peter Sellers’ bumbling Inspector Clouseau, and those unforgettable animated opening sequences - delve into the history of the Pink Panther films, the pink diamond hunting comedy-mystery franchise that was a smash hit, made a megastar of Peter Sellers and spawned an empire. Paul Joyce’s typically thorough and entertaining documentary focuses on star Peter Sellers’ creation of a comedy icon and his relationship with director Blake Edwards. Hosted by Burt Kwouk, who played Clousea’s manservant and martial arts sparring partner Cato, and featuring interviews with Mark Kermode, Herbert Lom (Chief Inspector Dreyfus), Graham Stark (Pepi) and more, THE CURIOUS CASE OF INSPECTOR CLOUSEAU is a must-see... if you can catch it!

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

This film explores the consequences of the decisions we take and shows those things which really matter. After leaving his wife and children and promising he would be back, a man lives in a tent at a Mexico City park. There, he earns his living by selling balloons. After 30 years, he needs to fulfill his promise and return home. Will his family accept him back? Is he going to be able to change a life on the streets for the comfort of his home?

No description available.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

No description available.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

AT SEA is a visceral and poetic short film that blends docu-style realism with narrative fiction, following a group of faceless sailors navigating the unpredictable seas of Greece. Through the fragmented memories of an unreliable narrator, the film weaves together a non-linear story that shifts in mood with each chapter, offering a fresh perspective on the sea. Based on true events… almost.