Narrated excerpts from Chen Shi-Zheng’s acclaimed stage production of Tang Xianzu’s The Peony Pavilion, filmed in Paris after its Lincoln Center presentation. This two-hour document condenses the epic kunqu love story of Du Liniang and Liu Mengmei through opera, dance, acrobatics, puppetry, martial arts and Robert Powell’s narration, preserving the atmosphere of a much longer theatrical event.

Disillusioned by years of futile bloodshed, General Chang Ta initially refuses the emperor’s call to defend the collapsing dynasty. It is his wife, Chen Pi-niang, a woman of exceptional intelligence and resolve, who urges him to answer his duty. At Tzu Lang Chow, she bids him farewell with a lock of her hair, a symbol of devotion and sacrifice, as he marches toward a seemingly hopeless battle. While Chang Ta fights at the front, Chen Pi-niang organizes local militias and leads a daring volunteer fleet of fishing boats to deliver supplies and strike the enemy. As defeat closes in and betrayal looms, husband and wife each face their fate with unyielding loyalty to their country.

In an epic tale of theater, gender, love and class, two Beijing opera actors navigate political turmoil as their friendship evolves over decades.

The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.

The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

The Eighteen Darts (Part 2) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

The Rainbow Pass is a Chinese Opera starring Sammo Hung in a child role

River Of Fury presents the self-discovery and awakening of a young man (Danny Lee), who has been exposed and fallen for the lucrative powers of wealth. Lily Ho played a role in sharp contrast with Lee, which has helplessly fallen prey to the irresistible temptations of wealth under the influence of her mother. Once again, Ho demonstrates her remarkable talent in Chinese opera following her Beijing-opera showcase in The Warlord (co-starring Michael Hui Kwun-man).

During the Republican era, wars and conflicts were frequent. On stage, the "Overlord" sings with resounding passion, while below, the absurd spectacle of life unfolds. They must both secure the opera troupe's livelihood and appease the audience in their seats. Once the curtain rises, how should this play be performed?

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

Brilliantly played by LAW Ka-ying, the revered Skyblade hails from a prestigious family of Cantonese opera singers. Pressured into performing opposite the sponsor’s child at the celebrated Red Banquet in return for financial support, the reluctant Skyblade is further taken aback when he realises that Jade is a girl slated to play a male lead role in a predominantly masculine cast. However, as Jade’s talent becomes apparent to Skyblade, a bond is formed between the two during rehearsals, and a mutual understanding that both have been sacrificing their dreams and passions out of duty towards the family. When Jade reveals a shocking resolution to take control of her life, it is up to Skyblade to decide their fate on stage.

The film opens with a travelogue, showcasing West Lake and the real Mainland Chinese locations used by the film to which only the Left Wing of Hong Kong Cinema had access to at the time. The title character is a young woman raised by her courtesan aunt in the West Lake scenic resort area in Hangzhou. Siu Siu is perused by a local Official, but falls in love with the son of the Prime Minister. They marry, but are separated by the Prime Minister who arranges another marriage for the son. Siu Siu remains at West Lake, where she regretfully uses the desire of the earlier Official to help another of the girls find happiness.