Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

No description available.

Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.

Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.

Noon is coming. In an old house, an elderly couple waits for their daughter to prepare lunch. The elderly woman, in a wheelchair, unable to cook, constantly hurries her daughter. Between the static and the passing of time, impatience is born, like flies that roam through the flesh.

The shocking finale of the titular trilogy, which features graphic footage of the macabre and grotesque as directed by Brazilian filmmaker Lázaro Hahn.

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50 years after the realization of their utopias, three old architects take the director on a journey to discover extraordinary housing. A joyful journey through time, from which emerges a crucial question: how will we live tomorrow?

The architectural plans for Berlin from 1938 are used as an example to illustrate the fascist claim to power and its aesthetic effect. The basis for this was the "General Building Inspection" under the direction of Albert Speer, whose enormous projects are illustrated by planning models and archive photographs.

Housing a Dream follows Dutch visionary artist Joost Conijn as he builds his dream home—an unconventional, rotating house that turns with the help of a red bicycle mounted to its floor. By pedaling, Joost can orient the house to follow the sunlight, reflecting his work's delicate balance between function and poetry. Through his process, the film explores the philosophies shaped by a lifetime of craftsmanship, revealing how building a home can become a profound act of artistic creation.

Bay Area rapper Mac Dre began his career at 18 and quickly became an influential force in early west coast hip-hop. In 1992 he was convicted of conspiracy to commit bank robbery when his lyrics were used against him in court. He left prison with a new lease on life, founded an independent record company, and then was murdered just when he began to emerge as a star. For the first time ever, his mother Wanda reveals the true experiences of a hip-hop legend.

Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.