Discover the extraordinary life and art of John Craxton in this captivating documentary feature. From early success with Lucian Freud to his vibrant years in Greece and Crete, Craxton’s bold, colorful paintings mirrored his passionate personal life and relationships with icons like Lee Miller and Margot Fonteyn. This film unveils how his artistic genius and unconventional lifestyle cemented his legacy as one of the most celebrated English artists of the 20th century.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Tattooing — "the world's oldest skin game" — is the subject of this iconic documentary. Writer/director Geoff Steven scored a major coup by signing Easy Rider legend Peter Fonda as his presenter. Travelling to Aotearoa, Samoa, Japan and the United States, the doco traces key developments in tattooing, including its importance in the Pacific, prison-inspired styles, and the influence of 1960s counterculture. Legendary tattooists feature (including Americans Ed Hardy and Jack Rudy), while the closing credits parade some eye-opening full body tattoos.

This ninety-minute film takes audiences on an epic journey across nine countries and over 1,400 years of history. It explores themes such as the Word, Space, Ornament, Color and Water and presents the stories behind many great masterworks of Islamic Art and Architecture. Narrated by Academy Award winning performer Susan Sarandon, this dazzling documentary reveals the variety and diversity of Islamic art. It provides a window into Islamic culture and brings broad insights to the enduring themes that have propelled human history and fueled the rise of world civilization over the centuries

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Celebrating the 250th anniversary of their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition. Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other, both used landscape painting to reflect the changing world around them. Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in February so that you can enjoy both film and exhibition together. Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts.

A look at the feud between graffiti artists King Robbo and Banksy.

In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.

Artist David Choe has led a life of high risk, from hedonistic excesses to being imprisoned at a maximum security facility in a foreign country, and yet has been dramatically rewarded for his exploits. Life didn't change much when he traded a $60k fee in favor of stock in a start-up called The Facebook, but now he is estimated to be worth over $250 million, highlighting a colorful career filled with giant street art installations, porn star affairs and investigative reporting for companies like Vice and CNN. Director and childhood friend Harry Kim guides us through the fantastically surreal life of Choe featuring interviews and appearances by Kevin Smith, Eli Roth, Sasha Grey, Sean Parker, and Shepard Fairey.

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.

Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.