Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.

In India, Toomai, a young mahout, helps lead the British on a large expedition to round up wild elephants.

In the Northwest Frontier of India, the 41st Bengal Lancers led by the harsh Colonel Tom Stone are having trouble with the rebellious leader Mohammed Khan. Surly McGregor and wry, blue-blooded Forsythe are officers in charge of newcomer Lieutenant Stone, the commanding officer’s inexperienced son. Motivated by a grudge toward his father, Lt. Stone allows himself to be captured by the enemy.

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.

An emotional film on how much did an innocent single father suffer, when his daughter was sold to a brothel. Father spends his life searching for her.

The story is about Sheelavathi, a prostitute. The film revolves around the situations that forced her to choose the path of prostitution.

No Means No is a cross-genre action-packed, teenage musical love story, a courtroom drama that's more like the thrill of a roller-coaster ride as each twist and turn begins to unravel to reach a conclusion that calls out for justice.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

No description available.

In the suburbs of Mumbai, a young couple tries to catch some private time in a very public place, when they're paid a visit by the moral police.