Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.

A silent amateur film with a runtime of 1 minute and 20 seconds (DCP from 9.5mm reversal, 16 fps), presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film captures scenes of rowing and diving during the summer of 1925 in Lavagna. It forms part of a larger collection of 9.5mm films discovered in 2006 in the cellar of Villa Rocca by Lavello’s grandson, Enrico Vassallo, and donated to the archive in 2007. Restored in 2025 using a 2K wet scanning process to mitigate damage from fungal mould, the footage reflects the technical limitations of manual camera operation, including occasional acceleration due to uneven crank rotation. As noted by Michele Manzolini, the film contributes to a broader visual record of informal leisure and early amateur cinematography in interwar Italy.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.

Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.

Notable for providing a bucolic, personal view of high-ranking Nazis. Eva Braun was the longtime romantic companion to Adolf Hitler, as well as a photographer and amateur filmmaker. Her 8mm Agfacolor-stock home movies, recorded at her leisure, were seized by the US Army in 1945. They were subsequently assembled into 8 reels, from 28 reels of original camera negatives. The US National Archives received this 8-reel film in 1947, and in 2012 began the digital restoration process.

Comprised of footage shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

1°. Nel porto di Genova, Veliero ("1. In the Port of Genoa, Sailing Ship") is a 1928 silent amateur film by Guglielmo Baldassini, preserved as a 2K DCP from a 9.5mm reversal print without intertitles. Held by Fondazione Home Movies in Bologna, the film shows a sailing ship entering Genoa’s port, likely shot from a small boat. Baldassini, a Milanese painter and etcher, used the Pathé Baby format to capture landscapes and seascapes, often as references for his artwork. His archive includes 95 reels filmed between 1926 and the early 1930s, focusing on family, Milan, coastal scenes, and mountains. He developed his films at home, experimenting with tinting, toning, and exposure correction. Many reels show emulsion decay due to aging and chemical treatments. Notes by Michele Manzolini and Mirco Santi appear in the 44th Pordenone Silent Film Festival catalogue.

Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.