The documentary is a portrait of an artist and a portrait of a deadly disease. Lene Marie Fossen was a gifted photographer who suffered from severe anorexia. Self Portrait is a film about the power of art and survival, but it also raises important questions about what treatment one who suffers from severe anorexia needs.

An adaptation of the short story with the same name by Portuguese writer Lídia Jorge.

The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.

Years after immigrating to the United States, Matt (Gabriel Berm) grapples with the notion of family. A call from his sister, Callie (Callie Morken), becomes the catalyst for a realization: he learns that family transcends borders and manifests in varied forms. The deepest connections endure physical separation, teaching Matt that what truly matters is the unbreakable bond they share, echoing louder than any distance.

13-year-old Lucas makes a new friend in his classmate Lais, and joins her on an epic journey to find the father she has never known.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

In a world where flowers represent emotions, Gloria, an Italian Mother, faces devastating loss and loses her way. She must battle her own sadness to find peace.

A young witch, on her mandatory year of independent life, finds fitting into a new community difficult while she supports herself by running an air courier service.

In Sara's class, the popular kids, also known as the kings and queens, are subjected to daily humiliations, which include having their pants pulled down or water thrown on them, but this is only a sign of their elevated status. Sara is the only blond and blue-eyed girl in her class, and she is completely overlooked by the kings and queens who do not have blond hair and blue eyes. She has a secret crush on one of the kings, who is way out of her league, and she doesn't have any friends either, but would like to become friends with Karen, also an outsider who aspires to a better status. One day, Sara eyes an opportunity to boost her popularity by humiliating herself and thereby become queen. Karen instantly becomes her friend, she seems to catch the eye of her kingly crush and popularity appears within her reach. However, her happiness is short-lived, and in the end she learns a far more valuable lesson than how to be queen for a day.

A group of rambunctious toddlers travel a trip to Paris. As they journey from the Eiffel Tower to Notre Dame, they learn new lessons about trust, loyalty and love.

Narrator and director Michael Schaap's confessional style and general goofiness bring levity to an awkward topic: "erectile dysfunction" and the little blue pill that treats it.

Harvey, the arrogant and spoiled son of an indulgent absentee-father, falls overboard from a transatlantic steamship and is rescued by a fishing vessel on the Grand Banks. Harvey fails to persuade them to take him ashore, nor convince the crew of his wealth. The captain offers him a low-paid job, until they return to port, as part of the crew that turns him into a mature, considerate young man.