A young lunatic director and his devoted cult of cinema terrorists kidnap a Hollywood movie goddess and force her to star in their radical underground movie.

Summer 1978. High schooler Kurita is inspired by Star Wars, and films a spaceship scene on a 8mm camera together with his friend Ozawa. When the class is discussing a project for their school festival, Kurita's suggestion to make an SF movie ends up winning. Together with their movie fan classmate Sasaki, the boys start to plan a movie and manage to convince Yamashita, the prettiest girl in class, to star as the heroine. Over the summer vacation, the four shoot their movie, "Time Reverse", where an alien spaceship arrives on Earth to turn back time in order to save mankind from itself.

When an unexpected snowstorm strikes Seattle, the dead rise from their graves to prey on the city's helpless citizens. From the confines of their living room, a group of unlikely heroes emerge to stop the flesh hungry hordes, only to discover that zombies aren't the only evil they are up against.

Looking to spice up their dull night shift, two young, film-obsessed parking attendants pass the time by emulating their favourite crime movie characters, but get more than they bargained for when their fun attracts the attention of a real criminal, putting their action hero skills to the test with brutal consequences.

No description available.

Two friends are trying to plan the perfect crime, but they need more than an obsession with gangster movies to succeed.

Everyone wants a piece of her. She just wants to understand her.

This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.

He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.

Since his father's death, Bruno divides his time between his duties as a student and his love of cinema. When he finds an old super8 camera belonging to his father, he changes his perception of the world in which he lives.

A lonely man, who spends all his time watching films, finds a way to get his hands on a copy of the lost film Cleopatra (1917), but will he be able to pay the price?

Short film selected for the Cannes Film Festival Directors’ Fortnight Lineup. A documentary that explores how a woman's movie collection triggers her infidelity. Created for one viewer—the woman whose confessions are revealed through hypnotic second-person narration. All events and artifacts are presented at a steady, soothing pace.