Two Millennia ago a culture that is still unknown to us today erected thousands of mounds throughout the Midwestern United States to the Gulf of Mexico. They are called the Hopewell, the Adena or the Mississippian… However, no one knows what these people actually called themselves. In other words, they remain mysterious and unknown to us today...

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

"A documentary film which looks at the issue of British Columbia Native land claims and how the aboriginals link their culture to the land, which has been stolen by the dominant white culture of North America. In the film, the argument is presented that the lands have been taken from the Natives without any clear treaty agreements and how attempts had been made to wipe out Native culture through the Residential School system. " Produced by the Union of BC Indian Chiefs in 1975.

The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.

The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

Gurdeep is a thirteen-year-old Canadian Sikh whose family runs a dairy farm near Chilliwack, British Columbia. They have retained their language and religion. Attendance at the Sikh temple, playing soccer with his schoolmates, and working on the farm are all part of Gurdeep's well-integrated life, but sometimes he feels a little different from the other children because he wears a turban. This film is part of the Children of Canada series.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.

Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.

In the late 1990s, some officers at Vancouver Police Department made a documentary film (THROUGH A BLUE LENS) about the everyday lives of six drug addicts in Vancouver's skid row, the Downtown Eastside. TEARS FOR APRIL reintroduces us to these six people; with footage shot over a period of nearly ten years, it continues their biography.