Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Secrets and mysteries lose power when they are spread too widely. This is what the villagers discover when they invade an old man's vision-inspired shrine to the namelessly holy.

Explore the 1928 collapse of the St. Francis Dam, the second deadliest disaster in California history. A colossal engineering and human failure, the dam was built by William Mulholland, a self-taught engineer who ensured the growth of Los Angeles by bringing the city water via aqueduct. The catastrophe killed more than 400 people and destroyed millions of dollars of property.

Captures the spirit and essence of the great San Francisco Human Be-In of January 14, 1967. Ten thousand people imbued with peace, love and euphoria. Set to hard rock such as only San Francisco blues can produce. BE-IN contains Allen Ginsberg, Lawrence Ferlinghetti, Timothy Leary, Michael McClure, Lenore Kandel and Buddha. Music by Blue Cheer.

Narrator and director Michael Schaap's confessional style and general goofiness bring levity to an awkward topic: "erectile dysfunction" and the little blue pill that treats it.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.

Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.