Election night. Aimar, leader of the left-wing Basque nationalist movement, returns home more tired than ever. Itziar awaits him, exhausted. At the entrance, the remnants of a protest by the radical youth of their own party. Aimar has to make a decision: Does he want to continue dedicating his life to the nationalist cause, even in the worst of times?

A film about the life and work of the bertsolari Pedro Mari Otaño. A journey through the exile and the rebirth of an oppressed people.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Western Pyrenees, year 778. When his land is threatened by the ruthless armies of the Frankish emperor, a Basque warlord asks for help from his ancestral gods.

A Basque mythological creature struggles to regain her power after a man steals her egg.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Falling in love with your best friend is not easy. Avoiding the subject and feeding the fantasy is something which will take its toll. Knowing you are crossing a red line is not always a reason to stop. Sometimes, it's necessary to meet a harsh reality in order to believe it. Gentzane, a young girl settled in her inner world, justifies each one of her actions to be around the person she loves.

A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.

A documentary about Basque inmigrants who went to USA looking for work and a better future. Basically, Amerikanuak talks about feeling homesick, about struggling in a different country to make a decent living and about being part of a comunity.

The discovery of a series of unreleased tapes leads Juan Carlos Pérez, leader of the iconic group Itoiz, to reflect on the dissolution of the band at its peak, after a clear change of style towards pop that he still denies today. Juan Carlos will thus begin a cathartic journey to the essence of the group, reliving the beginnings of the band as a progressive rock group in Mutriku in the 70's, which will serve him to reconcile with the past.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

A documentary film about the origins of the Basque trikitixa. It reflects how the small accordion brought by one of the Italian workers who came to build the Madrid-Paris railway tunnels in 1859, starting from Zumarraga, has become a symbol of contemporary Basque music.