Berlin (Disco-Film 18)
Documentary
Overview
East Berlin disco movie.
No cast information.
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The architectural plans for Berlin from 1938 are used as an example to illustrate the fascist claim to power and its aesthetic effect. The basis for this was the "General Building Inspection" under the direction of Albert Speer, whose enormous projects are illustrated by planning models and archive photographs.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
A Berlin street corner is slowly changing: an aging supermarket turns into a construction site and finally a new building. People restock shelves, demolish walls, take breaks and count money. Those who work here participate in the making and unmaking of the place. How does it shape the conditions of their labor? Between supermarket aisles, construction scaffolding and exposed concrete, different versions begin to overlap. Repetitions appear like echoes between worlds, both playful and eerie.
Something strange and unpredictable takes inthe mysteriously vacant rooms of Berlin’s infamous Techno club Berghain. A group of wild animals occupy the monumental spaces of the former power station. We explore the building together with the animals and experience its dimensions from a new, nonhuman perspective. The brutality of the industrial architecture is confronted with the beauty of these shy creatures.
Shock jock pioneer, Steve Dahl declared that July 14, 1979 would be the end of disco when he blew up thousands of disco records in the outfield at Comisky Park in Chicago. Ten thousand Loop fans stormed the field in the middle of a White Sox/Tigers doubleheader, rioting, setting fires and the event made national headlines...and made Dahl a household name...and a Chicago legend. Combining new interviews with archival footage, this 2004 documentary offers viewers an unprecedented inside look at the night that disco died.
This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.