Every December to January, almost a hundred squid fishing boats from Ch'ien-chen Fishing Harbor in Kaohsiung will sail from East 120 to West 60 to work at Falkland Islands in the South West Atlantic. The sailing takes 35-40 days and crew members named it "waterway." January 1st, 2015, a 65 meter long, 11 meter wide fishing boat began its journey to Falkland island. This is a documentary about 60 crew members from south-east Asia to work far away from Taiwan.

A Berlin street corner is slowly changing: an aging supermarket turns into a construction site and finally a new building. People restock shelves, demolish walls, take breaks and count money. Those who work here participate in the making and unmaking of the place. How does it shape the conditions of their labor? Between supermarket aisles, construction scaffolding and exposed concrete, different versions begin to overlap. Repetitions appear like echoes between worlds, both playful and eerie.

Through first person narration, Tari reveals personal stories related to her decision to work in Taiwan, her strained family relationships, the risks involved in working abroad and the traps she has fallen into.

An explosion in one of the largest chemical plants in Europe, the Petrochemical complex in Tarragona, triggers the labour struggle of a group of workers who demand what is fair for everyone.

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

On May 1st, unions all over Japan celebrate May Day, the international day for workers. Workers gather together at parks and hold demonstrations and parades. May Day has its origins in a strike that occurred in the United States on May 1, 1886, a strike that called for an eight-hour workday. Prokino recorded the May Day every year from 1927 to 1932. Among these films, this work is the only one that has survived. However, only its first part has survived. The original film depicts the march to the Ueno Park where the rally was dismissed. Iwasaki Akira coordinated the entire Tokyo Prokino organization as it photographed the 1931 May Day celebrations. They shot in both 16mm and 35mm (other 35mm productions were planned, but this is the only one that achieved completion). A 16mm print was circulated around the countryside by mobile projection units, and a 35mm print was shown at Soviet film nights in Tokyo and Osaka.

A main agenda of the prewar farmer's movement was struggle against landowners. Prokino also considered this as their prime concern. The main title sequence and the latter part of the film have unfortunately been lost. While we cannot see its entire structure, we can still get a glimpse of it from this surviving short.

Starbucks baristas in Buffalo unite against corporate exploitation, sparking a generational uprising among working-class Millennials and Gen Z as they challenge a powerful billionaire CEO and fight for their rights.

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

Gdańsk, Poland, September 1980. Lech Wałęsa and other Lenin shipyard workers found Solidarność (Solidarity), the first independent trade union behind the Iron Curtain. The long and hard battle to bring down communist dictatorship has begun.

How Finnish immigrants came into contact — and conflict — with industrial America. Three generations of Finnish-Americans recount how they coped with harsh realities by creating their own institutions: churches, temperance halls, socialist halls, and cooperatives.

Out of Office is the story of a scrappy group of office workers in Wisconsin who managed to pull off a major victory for workers’ rights. Upon their contract’s expiration, the workers activated their dormant union and fought back against their employer - a massive financial services provider making record profits. Their fight dragged out for over 600 days and included the first strike in the company’s almost 100-year history, which was the largest labor action in Wisconsin for over ten years. A rank-and-file member of the union documented the entire struggle, and the documentary includes emotional interviews with key members of the fight.