Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.

African-American gravesites and burial grounds for enslaved persons have been lost or are disappearing throughout the South, through neglect and nature reclaiming the solemn tombstones and markers. Restoration and preservation of these forgotten sites by those with a personal connection or appreciation of their historical significance is on the rise, but much work remains to be done.

Vincent Castiglia paints in human blood.

Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

In the spring of 1927, after weeks of incessant rains, the Mississippi River went on a rampage from Cairo, Illinois to New Orleans, inundating hundreds of towns, killing as many as a thousand people and leaving a million homeless. In Greenville, Mississippi, efforts to contain the river pitted the majority black population against an aristocratic plantation family, the Percys, and the Percys against themselves. A dramatic story of greed, power and race during one of America's greatest natural disasters.

The Arts Council commissioned this film to coincide with their major retrospective of Giacometti's work at the Tate Gallery (now Tate Britain) in the summer of 1965. A similar exhibition was held concurrently at the Museum of Modern Art in New York, sealing the artist's reputation as a modern master.

The documentary Schwarze Adler (Black Eagles) lets black players of the German national football team tell their personal stories for the first time. What road did they take before they got to where we cheer for them? What hurdles did they have to overcome? What prejudices and racist hostility were they exposed to – and what was it like in the past, what is it like today?

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

To celebrate the 100th anniversary of the birth of the surreal art movement, comedian Jim Moir (a.k.a. Vic Reeves) presents this documentary exploring the history of Dadism and the lasting influence it has had on himself and others.

Alastair Sooke champions pop art as one of the most important art forms of the twentieth century, peeling back pop's frothy, ironic surface to reveal an art style full of subversive wit and radical ideas. In charting its story, Alastair brings a fresh eye to the work of pop art superstars Andy Warhol and Roy Lichtenstein and tracks down pop's pioneers, from American artists like James Rosenquist, Claes Oldenburg and Ed Ruscha to British godfathers Peter Blake and Allen Jones. Alastair also explores how pop's fascination with celebrity, advertising and the mass media was part of a global art movement, and he travels to China to discover how a new generation of artists are reinventing pop art's satirical, political edge for the 21st century.

A Bulgarian theater company struggles to adapt Herman Melville's epic "Moby Dick" for the stage, revealing the obsessive dedication and creative challenges faced by cast and crew in their quest to bring an unfilmable masterpiece to life.