Gabriel Drolet-Maguire, a designer living in Montreal, takes us into their artistic world to discuss their HIV diagnosis. This is a timely and hopeful look at past and present day HIV/AIDS activism in Quebec.

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Does privacy still exist in 2019? In less than a generation, the internet has become a mass surveillance machine based on one simple mindset: If it's free, you're the product. Our information is captured, stored and made accessible to corporations and governments across the world. To the hacker community, Big Brother is real and only a technological battle can defeat him.

In the early 70s Greek cinema entered in a period of crisis. One of its aspects was said "crisis of issues" and one of the exits heard in the name "erotic cinema". The genre was already acquaintance from the abundance of foreigner films, that was distributed in the grindhouses under the "adults only" motto and its Greek version had a lot of variants.

This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

A portrait of growing up told through filmmaker Sean Wang's middle school yearbook. Go Hornets.

Today it is the city of Montreal, but 3 centuries ago the tiny band of missionary founders called it Ville-Marie, the holy city of Mary. This film goes back to its beginning and those who felt called to plant an oasis of Christianity in the North American wilderness. In an imaginative, at times almost surrealistic, way the film recalls the highborn company from France, and shows what survives of Ville-Marie in the Montreal of today.

An immersive dive into the world of Heenok and his collective Gangster & Gentleman, while touching on broader questions about the survival of hip-hop and the state of humanity. Did Roi Heenok really earn his first million at 18? Is he a real fake gangster or a fake real MC? And ultimately, is Roi Heenok truly a king?

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

Prague, 2022 - Having found refuge from the Russian-Ukrainian conflict, two women and their young daughters face the waiting and hope of an imminent return to Ukraine. Shelved in this city, these women tell the story of their past and give access to their daily life, their present, in which they try to learn how to live again. This documentary tries to give a voice to those who live war differently.

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.