Where Motion Has Not Yet Ceased

Triggered by Russia's invasion of Ukraine in early spring of 2022, Ukrainian journalist and writer Ivan Avramov struggles to navigate his fluid identity and the shifting reality around him.

A reckoning of Nazi Germany’s planned execution of its own citizens with physical and mental disabilities whom they deemed useless to their society.

In the aftermath of war, an extraordinary professor brings hope to children haunted by trauma-induced nightmares.

“There was excitement in the air,” says Donga, now in his late twenties, describing his feelings when the uprising against Muammar Gaddafi’s rule broke out in 2011. He was 19, living in Misrata, and boldly went to film the fighting with a friend. A decade later, in a hotel in Istanbul, where he has been living since he was wounded in battle, he looks back on the past ten years through excerpts from his videos. And he reflects on how that period has affected him.

2010 documentary film on the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel stationed in the Near East at the time, Armenian survivors and other contemporary witnesses which are recited by modern German actors.

The war documentary Rivilotta (1943), directed by Turo Karto, was filmed in the winter of 1941-42. The film, produced by the Finnish Defence Forces, presents the goals of the Lotta Svärd organization and the different aspects of the Lotta Svärd's work.

This is the true and astounding saga of the Spartans at Thermopylae. It is among the greatest tales of war ever recounted. All the glory and grit of these warriors' last stand is captured in this exceptional documentary. It is almost impossible to understand how 300 Spartans managed to hold off the million-man Persian army for even a moment, much less seven days. To a man they paid with their lives but their stunning Last Stand assured that their sacrifice would resonate throughout history. Transporting dramatizations and incisive graphics put you in the heat of the battle and show the lay of the land. The complications and strategies of the conflict are revealed through careful analysis, and critical moments are reconstructed to show exactly what happened. Discover what the Spartans were fighting for, what made them capable of such heroics and what drove them to such sacrifice.

Driven by a personal interest in finding out how people deal with the sudden loss of their familiar structures and surroundings, director Jonas Kaufmann embarks on an emotional journey on behalf of Generation Z. A journey with the aim of finding the one inviolable point of human existence that gives us support when everything is lost. In our documentary, protagonist Roman Sachuk and Jonas Kaufmann take on the challenge of providing partial answers to the central questions of a generation in crisis.

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

A portrait of growing up told through filmmaker Sean Wang's middle school yearbook. Go Hornets.

“Fear AI!” – “ warns Elon Musk back in 2014, joining other opinion leaders like Steve Wozniak, Noam Chomsky and Stephen Hawking in backing a petition against the development of autonomous weapons. As Vladimir Putin stated in 2017, “Whoever leads in AI, rules the world.”

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.