"Loku Duwa" depicts an attractive and self-sacrificing daughter of the middle class in the city who is trapped in a family of traditional values.

Rangana is a young musician from the working classes who dreams big. His aim is to rise above his station, even as he toils the low-rent barroom circuit with his band, playing night after night to under-appreciative crowds to make a frugal living. Tanya is the love of his life, the woman whom all this will be worth achieving. She is just finishing school. As he toils through the nights, his need of a mode of transport - a motor bicycle - becomes more and more apparent. He dreams of one day collecting enough money to buy one, finally buying a second hand motorbike despite his mother's great protest. He now wants to taste his new found freedom with his beloved Tanya, along the city streets of Colombo. As Rangana and Tanya embark on this motorbike journey across the city, questions about their present, challenges to their future and the very essence of their lives is brought to the fore, in "Motor Bicycle."

(Eka Dawasaka Api / එක දවසක අපි) The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.

A new principal comes to the underdeveloped village school that is affected by lazy teachers and drugs.

A hearing-impaired taxi driver is exploiting a loophole in the law to make a living. But when he gets entangled with the criminal-political underworld of Sri Lanka after a fateful taxi ride, the next few hours will decide the rest of his life.

The film follows Dr. Manorani Saravanamuttu's relentless pursuit of justice after the tragic abduction and murder of her son, Richard de Zoysa, a journalist, writer, and human rights activist, in 1990.

In a small village deep within the forests of Sri Lanka, everyone follows the teachings of a monk, with the exception of one hunter. While no one dares to kill in accordance with the monk’s teachings, the lone hunter hunts and provides meat for everyone. Meanwhile, beautiful villager Gomari is killed by a leopard, but no one knows this. Suspecting what happened to Gomari, the hunter begs the monk to cancel the upcoming full moon rituals, but the monk refuses, believing in the inevitability of fate. The hunter that never kills unless absolutely necessary must now hunt alone for the leopard that will attack humans.

Man hoyanne premayak

The story dated back to 1930s prior to Soulbury constitutional reforms. In a rural hilly village called Akiriyankumbura in Wellassa, a beautiful girl, Sedera Menike is protected by her two brothers Dingira and Dungura.

This is a tale weaving love, betrayal, and adventure. "Mandara" unfolds around the lives of sports star Mandara, engineer Vishwa, orphan heiress Yashora, and her uncle Bharatha. After Mandara and Vishwa's romance leads to heartbreak, their paths cross with Yashora, on the run from her murderous uncle, aiming to seize the family fortune. Their fates intertwine in a story of love, loss, and resilience, leading to a dramatic showdown and a heartwarming conclusion, all set against the backdrop of Sri Lanka's stunning landscapes and accompanied by a captivating soundtrack.

The film, “Govi Thaththa” (Father, the farmer) is introduced as the first of its kind in Asia to portray the tragedies people and the environment are faced with today due to moving away from nature-friendly agro practices of the past to adopt chemical-based agriculture. This movie is considered as the first-ever movie directed by a musician and produced by a farmer.

Attention (සීරුවෙන්) is a Sri Lankan Sinhala thriller drama film directed by Sudesh Wasantha Pieris and produced by Nihal Wijesinghe for Nilkamal Films. It stars Jackson Anthony in the lead role along with Dasun Pathirana, Buddhika Jayaratne, Dishni Rajapakshe and Semini Iddamalgoda in supportive roles. The film marked the final cinema appearance of the dramatist Jackson Anthony before his death.