
Teo Hernández
Directing
24
Movies
0
TV Shows
24
Credits
About
Téo Hernández was born on December 23, 1939 in Ciudad Hidalgo, Mexico. After studying architecture, he founded with a friend the CEC (Centro Experimental de Cinematografia), in Mexico City. In 1960, the French Institute of Latin America financed the first project of the group, a documentary that will remain unfinished. He moved to Paris in 1966. From 1968 to 1975, he made films in super 8 in London, Paris, Morocco and Denmark. Then accompanied by Michel Nedjar with whom he turned "Michel là-bas" in Morocco, he traveled for six years in India, Nepal, Greece ... Back in Paris, he realized Salomé (1976) in the spirit of Oscar Wilde. He meets Gaël Badaud, with whom he begins a long series of collaborations where elements of his own experience are incorporated in the films. In 1977, he realized Cristo, which will be part of a trilogy on passion with Cristaux and Lacrima Cristi. In 1980, with his friends (Nedjar, Jakobois and Badaud) he founded the group MétroBarbèsRochechou Art.

Teo Hernández
Directing
Téo Hernández was born on December 23, 1939 in Ciudad Hidalgo, Mexico. After studying architecture, he founded with a friend the CEC (Centro Experimental de Cinematografia), in Mexico City. In 1960, the French Institute of Latin America financed the first project of the group, a documentary that will remain unfinished. He moved to Paris in 1966. From 1968 to 1975, he made films in super 8 in London, Paris, Morocco and Denmark. Then accompanied by Michel Nedjar with whom he turned "Michel là-bas" in Morocco, he traveled for six years in India, Nepal, Greece ... Back in Paris, he realized Salomé (1976) in the spirit of Oscar Wilde. He meets Gaël Badaud, with whom he begins a long series of collaborations where elements of his own experience are incorporated in the films. In 1977, he realized Cristo, which will be part of a trilogy on passion with Cristaux and Lacrima Cristi. In 1980, with his friends (Nedjar, Jakobois and Badaud) he founded the group MétroBarbèsRochechou Art.

The Sun Also Rises

Cinématon

Les Jours et les Nuits

Sara/Teo

Tables d'hiver

Le printemps

Nuits transparentes

Sur Graal de T.H.

Bouquet of Eyes

Cinématon II

J'aime

Fragments

Téo

4 à 4 Métro-Barbès-Rochechou-Art

Cristo

Un cinéaste qui ne tient pas la caméra est comme un peintre qui ne tient pas le pinceau (Conversation avec Teo Hernandez II)

Mes films commencent au moment où les autres se terminent (Conversation avec Teo Hernandez I)

Chutes de trois gouttes de mezcal dans une coupe de champagne

Le chant de l'âme

Au cœur du cristal

Le gant de l'autre

À quoi rêve l'araignée ?

Teo

14, Bina Garden