Ruth Ellis lives with her ten-year old son Andy next to a night club. One night she meets David Blakely, and they start a love affair. However, for David with his upper-class background, it is impossible to uphold the relationship. He breaks up with her, something which makes Ellis, obsessed by him, very upset.

The citizens of a small town find it difficult to depart from its center, which is to be demolished to build a new, a more functional one. The chairman of the municipality, the first citizen of this small town, supports the plan of female architect-designer, a pretty girl he fell for. But to make locals sure that he didn't approve the old center's demolition under her influence, the president begins to avoid the girl, who then marries another man. By carrying out the ritual wedding, the first citizen of a small town is left with his city all alone.

After 20 years of marriage, Ana Lúcia and her husband Fábio decide to get a divorce. Fábio, however, decides to move to an apartment across the street, in front of the window of his former apartment - where Lúcia still lives. Both will have to learn how to deal with job crisis, problems with their daughter and this whole new situation.

Elara, a young violinist, is madly in love with Lucio, a Sicilian student. Their love blossoms, but suddenly Lucio must return to Italy to care for his sick niece. Elara struggles with loneliness and sadness, until she finds new inspiration in a dream.

Alan is a musician who leaves a busted-up band for New York, and a new musical voyage. He tries to stay focused and fends off all manner of distractions, including the attraction to his good friend's girlfriend.

After her husband, Carl, suddenly leaves, Joline travels from New York to Texas to track him down. Although Joline tries to remain upbeat, she is discouraged when she discovers that Carl already has a new girlfriend, the lovely Carmen. Familiarizing herself with Carl's new home and friends, Joline gets company in the form of her brother, Jay. Will Joline win Carl back, or are there other romantic possibilities on her horizon?

Sara deals with her grief by trying to complete her late husband’s bucket list. Injuring herself on one of the tasks leads her to meet Dr. Ryan. A widower himself, Ryan begins to help Sara complete the bucket list. The two get close and Sara doesn’t want to betray her husband’s memory, so she stops seeing Ryan. However, Ryan doesn’t give up and helps Sara realize that everyone deserves a second chance at love

A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that they have something deeply in common.

With his landlord breathing down his neck and his writing career stagnant, the last thing Harrison Tyler (Dean Winters) needs is a kid hanging around. But he's in for a surprise when his ex-girlfriend (Lorraine Ansell) leaves her precocious 6-year-old (Emily Mae Young) in his care for a few weeks. It turns out the girl possesses remarkable matchmaking skills, and soon Tyler's professional and romantic fortunes begin to turn around.

In order to make a good impression on her new boss at a work party, Léa Faber, a young single woman devoted to her job, leads everyone to believe that she is married to Yann, the pianist at the party whom she has just met. He decides to play along.

Allan and Mia meet in the most unexpected way. They eventually become close, causing their romance to blossom. Faced with huge decisions in life, the two find it hard to fight for their love for each other.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.