Many French-speaking artists from different countries pay tribute in song to the women and men who share and support the French language around the world. Four great ambassadors of music will guide the audience throughout the evening: Roch Voisine, Cœur de Pirate, Gims, and Mentissa. They are joined by a large number of artists, including Pierre de Maere, Ycare, Claudio Capéo, Axelle Red, Diane Dufresne, Cephaz, Khaled, Marie-José Lord, Sarahmée, Josianne, Radio Radio, Teety, Bilal Hassani, Emilie-Claire Barlow, and Olivier Dion. From the Agora in Quebec City's Old Port, in front of 8,000 people, this small world celebrates Francophonie in unison.

After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.

A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.

In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.

Hendrix dreams of hip-hop greatness, but he’s spiraling down a rabbit-hole of crime and poverty until he meets Doc, an old poet still haunted by his martial law past. Can they turn each other’s lives around before they’re swallowed by their circumstance?

Stavros has a cafe with his brother years and are the only ones in the family who care to get by. He is in love with Mary, which, however, not turning to look at him. Mary comes from an ...

No description available.

The boys in a famous pop-band all have girl troubles. And other problems. Sucks being them.

CARMEN is the classic tale of forbidden passion between a young man and a spoken-for woman, Carmen. From ORF and TDK Music, this release features a live performance of Georges Bizet's 19th century operatic masterwork Carmen. Directed by Academy Award-nominated filmmaker Franco Zeffirelli, the production was shot on December 9, 1978, at the Wiener Straatsoper. Starring Elena Obraztsova in the titular role, the orchestra is conducted by Carlos Kleiber.

Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.

A Simon & Garfunkel concert video shot over several nights at Madison Square Garden, New York, USA during their 2003 Old Friends reunion tour.

MTV ao vivo is the third live album released by Brazilian rock band Titãs. Up to 2007, their latest album. Its brief lifespan in Brazilian charts inspired the band to took a more pronounced delay before another studio album was recorded. Band members enjoyed the opportunity for more solo projects, some successful as Sérgio Britto's single Raquel (DDD) which received some mainstream airplay during the first half of 2007.