When out-of-work accountant Brian joins stay-at-home dad Jeff for a playdate with their sons, he expects a laid-back afternoon. Instead, they're chased by mercenaries, and Brian—totally unprepared—must survive one absurd obstacle after another.

No description available.

Vernon and Eddie are two bumbling shoe store clerks who accidentally pay for a purchase with a bad check from a depleted bank account. Desperate to retrieve their misplaced checkbook, which they inadvertently handed to a customer, they track the individual to an apartment. Their frantic search quickly turns chaotic as they find themselves tangled up with the woman in the apartment and her highly jealous husband.

A man wakes up in a room accused of being the maniacal international criminal, "Böse Barry". He must recall his past in order to defend his innocence before his deranged interrogator goes too far for answers.

Don't Park There was one of a series of two-reel comedies Will Rogers made for producer Hal Roach during the 1923-4 season. The story amounts to little more than a one-joke anecdote, but oddly enough the joke is more relevant now than it was in 1924: this is the tale of a man who can't run a simple errand in the city because he can't find a parking space.

No description available.

A private detective goes into the woods to investigate a disappearance.

While taking a walk, Chico Bento, a boor living in the backwoods of Brazil, tells his friend Zé Lelé and girlfriend Rosinha some fantastic stories happened to him: he'd been turned into a frog, been attacked by ants and by an animal resembling a jaguar, and some other doubtful cases.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

A group of geologists are in a prospecting expedition. Their personalities are explored as well.

Careless detective Paul White and the careful Yuji Sato meet a beautiful girl who needs their help. Emma has a big secret of her own and the unsuspecting detectives get into a dangerous conspiracy of her making.

Gabrielle is writing an illustrated guide book on sex called 'How To Do It.' At a book signing she meets Saul, an established male writer who is straight. She both loves and hates his work which has seeped into her secular Jewish life from childhood. The more Gabrielle tells him about her book the more he wants to know about her life; the relationship with her younger girlfriend Olivia and her determination to "stop using my penis in sex". As her book takes form, is Saul jealous or desirous? Their friendship is tested as is Gabrielle's relationship with Olivia. The film muses on how we write, how we draw. And the nature of "story" and what it makes us do.