One Afternoon

In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.

Ronnie Maxwell, a self-conscious gay black man, delves deeper into the labyrinth of catfishing while confronting and unpacking past traumas.

Ben is an art college student in London, whose imagination runs wild as he works the late-night shift at the local supermarket. What do he and his colleagues do to pass the long, endless hours of the night?

In a small French village, an angel appears disguised as a beautiful young blond.

Charley, a cyborg vampire who does the Vatican's dirty work, is the thrall of the local vampire playboy Johnny Rayflo. As the two fight crime—and each other—hilarity, violence and sacrilege ensue! But can Charley resist his own desperate cravings for blood? Find out as the devilish duo go up aginst a childlike vampire princess, a mysterious branch of the Unitarian Church...and one another.

In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.

Why won't the light turn off?

Finding that they have a similar taste for music, Kit and Chou start to attend concerts together. Their relationship grows until its initial appeal starts to fade, and the meaning behind it becomes lost.

Jae Hee and his brother Tae Kyung live quietly in Pattaya. They are one day visited by Min Ki, whose brother Min Hoon, committed suicide while on military leave. Convinced that Jae Hee is responsible, Min Ki comes to realize that Jae Hee was deeply in love with his brother, and grows fond of him. The buds of love then gradually sprout in the dreamy tropical night.