Antoine - a grieving loner - spends his days in a cafe on Place Clichy watching people. Every day, he sees a woman he calls Albertine get out of the subway and go to the movies. Today, he takes it upon himself to talk to her. Thus began Antoine's down-going.

Colloquially-told story of a few days in the life of Marieta, who's saving money for the last operation in her change from man to woman. She works as a prostitute in Madrid and longs for a legitimate job. Whenever she builds up her savings, her housemate and best friend Tomás finds ways to spend, lose, or cost her those funds. She meets Raúl, whom she likes and who likes her; the trouble is he also likes that part of her she wants removed. If that's not enough, she also has narcolepsy, and when she conks out, she dreams of musical-theater numbers in which she's the singing and dancing star. Are these dreams always going to be 20 centimeters out of reach?

Elara, a young violinist, is madly in love with Lucio, a Sicilian student. Their love blossoms, but suddenly Lucio must return to Italy to care for his sick niece. Elara struggles with loneliness and sadness, until she finds new inspiration in a dream.

A chambermaid and a former cop meet at a speed dating event and a romance develops. But during a romantic getaway things suddenly take a turn for the worse when her mysterious past is revealed.

The untimely death of silent screen star Rudolph Valentino prompts the many women in his past to reminisce about his troubled rise to superstardom.

This holiday-themed melodrama released by Edison Studios in 1910 concerns Robert, a young man who leaves his mother’s home in New England to forge a career in the big city. When he achieves “fame and fortune” six years later, his proud mother can’t wait to welcome him home for Thanksgiving. Robert, however, intends to stay in the city to enjoy a holiday feast with his society friends and beautiful fiancée. When Mom decides to pay a surprise visit on Thanksgiving Day, she is saddened to find that her son is so ashamed of her that he relegates her to an upstairs room, out of sight and out of mind.

At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is accused of being a Red. Fando discovers that his mother may have aided in his father's arrest. Sometimes we witness Fando imagining explanations for what's going on; sometimes we see him at play, alone or with his friend Thérèse. Oedipal fantasies and a lad's natural curiosity about sex and death mix with his search for his mother's nature and his father's fate. Will Fando survive the search?

Alexandra has been playing tennis for as long as she can remember. After years of training under the instructions of her father, Julio (a retired tennis player who intends to relive his victories through his daughter), she has become one of the most promising junior tennis players in the Spanish circuit. During one of the most important tournaments of the 1978 season, the increasing pressure from her father will exert on and off the court will begin to affect her mental health. With the arrival of adolescence and the questions it brings, Alex will realize that, perhaps, this is not her destiny.

Cassandre, 26, is a flight attendant for a low-cost airline. Based in Lanzarote, she’s always willing to take on extra hours and carries out her duties with robotic efficiency. On the side, she just goes with the flow and floats between Tinder, parties and lazy days. When she suddenly gets dismissed, she is forced to return home.

In an attempt to flee Nazi-occupied France, Georg assumes the identity of a dead author but soon finds himself stuck in Marseilles, where he falls in love with Maria, a young woman searching for her missing husband.

Undiagnosed, untreated and generally untethered schizophrenic Julien lives with his pregnant younger sister, anorexic aspiring wrestler brother, sympathetic grandmother, and severely depressed and abusive German father.

Born with an unusual defect that left her without a navel, she grows up feeling like she doesn’t quite belong. Her body and her being carry traces of something foreign, something she cannot understand. To escape this strangeness, she develops a fascination with watching — always the observer, never the participant. But when she encounters a man, her fear of closeness begins to give way, turning into obsession. Gradually, her watching crosses boundaries: from distance to intimacy, from desire to intrusion.