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Documentary
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Anna Erlandsson
Anna Erlandsson
herself
Anna Erlandsson
herself
Thomas Aslaksby
Thomas Aslaksby
himself
Thomas Aslaksby
himself
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Once upon a time there was a garden, a refuge, a safe haven - 'The Garden of the Finzi Continis'. It came to life in Giorgio Bassani's 1962 semi-autobiographical novel recounting an unfulfilled love story between two young Jews in Ferrara, while fascism was raging in Italy in the late 1930's. In 1972, Vittorio De Sica's film adaptation of the book won the Oscar for Best Foreign Language Film. Since then, the fictional space of the garden became so tangible that people from all over the world come to Ferrara to look for it. Fifty years after winning the Oscar, reality and fiction come together once more, as we walk through an imaginary garden and bring to life the book, its author, its main protagonists, history, love, friendships and betrayals.

A documentary by Donna Zaccaro about the political trailblazer, Geralidine Ferraro. Featuring interviews with Bill and Hillary Clinton, George and Barbara Bush, Walter Mondale, and Geraldine Ferraro herself, among others, this is a heartwarming and engrossing portrait of the first woman who was nominated for vice president, whose legacy still reverberates today.

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.

Universally recognized as the greatest female skier ever, Lindsey Vonn went on a remarkable journey that was defined by unexpected twists and turns and dramatic peaks and valleys in its final chapter. LINDSEY VONN: THE FINAL SEASON intimately recounts the iconic skier’s last competitive campaign while looking back on her transcendent career, from child prodigy to decorated Olympian to global superstar.

The mountain reveals honesty to oneself like nothing else. Dopamine, inner peace, or simply being unreachable are all understandable reasons why someone seeks the summit. With personal stories and individual connections to the mountains, "Sariri" brings together five protagonists from Switzerland, Austria, Bolivia, and Peru. Descending steep walls on skis in the Andes at over 6,000 meters pushes the group to their limits. With a first descent of the 6074-meter high "Chachacomani" in Bolivia, the mountaineers consciously take certain risks. The invisible power of altitude presents a significant obstacle to overcome. The film explores the question of why mountains play such an important role in some lives and why these cloud-catchers made of stone, snow, and ice are the closest place to heaven. The willingness to undertake long journeys and the mountain itself are what shapes "Sariri."















