Using home videos from fans from across the globe and never-before-seen drone footage obtained during the victory parade in Buenos Aires, on streets dyed white and sky blue. The film invites viewers to immerse themselves in the world's most football obsessed nation, Argentina, to relive the emotional rollercoaster that was the country’s 2022 World Cup victory in Qatar and the record breaking celebrations that followed.

Poetic images emerge from everyday life, interweaving with narratives that recall traces of events from the last civic-ecclesiastical-military dictatorship in the city of La Plata.

Based on a discursive analysis of historical right-wing forces in Argentina and around the world, the objective is to situate the current Argentine government in the context of a resurgence of reactionary thinking, as well as to warn of the country's potential direction.

Bernardo has turned 90 and is working to realize a dream: to make a film about art. He spends countless hours writing the script. He understands it's an arduous and complex task: What is art? When is there art? What is the purpose of art? Antonio, his friend, decides to collaborate, lending his knowledge and experience to the project. Marcelo meets Bernardo through Lucy, his partner of over 60 years, and finds him deep in his work, immersed in the uncertainties, frustrations, and joys inherent in any creative process. Watching him work, something of Bernardo's dream awakens in Marcelo a desire, another dream. He offers his help, while also asking to be able to capture Bernardo's daily work with his own eyes, thus creating his film. A dream that gradually shifts from the work Antonio sculpts on Bernardo's camera to Marcelo's gaze.

"Unearths, the books we do not inherit" delves into the family memory of Maria Julia Blanco, its director. The unearthing of his father's student library - recovered in 2018 - is the starting point. Julia guides us through the province of Santa Fe following her family's story. Historian and bibliophile by choice, Julia takes books, which do not know what has happened on the surface, as a starting point to excavate family memory. Little by little it becomes evident that, in the remains of the books, both family history and Argentine history can be reread.

The history of how the International Monetary Fund has been operating in Argentina for years.

A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.

Years after moving to a remote town, ex-cop Pipa is pulled back into the dark world she thought she'd left behind when a corpse appears on her property.

Demosthenes reappears in his village where he is known as "Ghost", just for the end of the year holidays, with no plans or goals. Luis Miguel, his old friend, gives him a job, and asks him to look for a pig to be slaughtered at the end of that week, in which friendship turns into a working relationship.

Life-long business partners Santiago and Eugenio care for each other, and need each other. When Eugenio suddenly vanishes, Santiago and Eugenio’s wife, join forces to look for him. What they discover is not what they set out to find, and their shared journey becomes a surprising and lighthearted meditation on friendship, love, and loyalty.

Set in Argentina in 1965, the story follows the tumultuous relationship between two men who became lovers and ultimately ruthless bank robbers in a notoriously famous footnote in the annals of crime history. After a large-scale hold-up that turns bloody, the two men must flee. It is not long before the police are surrounding the building they are in and they must confront their demons to survive.

Hoping to put to rest years of unease concerning a past case, retired criminal investigator Benjamín begins writing a novel based on the unsolved mystery of a newlywed’s rape and murder. With the help of a former colleague, judge Irene, he attempts to make sense of the past.