The Way of the Househusband: The Cinema

A young couple gets ready for a ceremony. Emilia is not dressed yet and Pietro is struggling with his tie and also very annoyed about a speech he has to give. While they talk around their house, time travels back and forth revealing different phases of their life.

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Tanaka is a yakuza who collects 'protection money' from establishments. He has just been released from jail, where he had spent eight years, and finds out that his boss wants to get rid of him. Tanaka is not an archetypal yakuza; he travels by public transport. But he does have two mistresses: Ayumi, who runs a nightclub, and Yoshie, a brothel-keeper. When Tanaka's boss ends up in hospital, second man Kurauchi exerts increasing pressure on Tanaka. Tanaka deliberately has himself wounded by a fighter to dodge several of Kurauchi's demands.

High school boy Machida is a loner who is not particularly good at his studies or extracurricular activities. He does seem to have his heart in the right place however. When he is injured at school instead of the school nurse at the infirmary a school-mate tends to him. He develops a crush for her and soon enough the feelings are returned.

During a man’s funeral, his mother, his wife, and his daughter gather to pay tribute to his memory. When they realize that none of them actually wrote the speech, a discussion arises, marked by old tensions and words that say more than they intend.

After meeting one day, a shy boy who expresses himself through haiku and a bubbly but self-conscious girl share a brief, magical summer.

Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

The fifth and final chapter of the Kanto Street Peddlers series! Will the battle in Asakusa be enough for a complete victory?

News about the disappearance of panties is still being covered every day. Kyosuke still wears Aiko Completo's panties to battle evil. Meanwhile, Aiko has mixed emotions and decides to get her panties back. Kyosuke suffers from the loss of Aiko's panties and disappears, but his biggest enemy yet is about to materialise.

Third and last movie in the Yakuza Hijoshi trilogy.

Seijiro and Shizue meet in Niigata and fall in love. Seijiro has to go back to Tokyo soon after, and they promise each other to meet again a year later. However, Seijiro gets jailed for five years. Unable to find him, Shizue gets married to a yakuza boss who can help her family business.