A man falls in love with a woman from high society - but her father doesn't approve of their love.

Ellen Saunders is an heiress on a cruise to Europe being pursued by a day laborer mistaken for a prominent mining engineer. During the cruise, he foils two crooks trying to get their hands on her lucrative nickel mine.

The Flemish harmony Sint-Cecilia from Staaikerke and the Walloon harmony En Avant are both selected for the big European finale. The Walloon En Avant comes up with the great trumpeter Hugues. Hugues is so amazing during his solo that Willy, from the Flemish Sint-Cecilia, has to give everything he has, the highest note, the lowest note, the last note... Willy falls dead on stage. Surprising everyone, both harmonies get selected for the finale. But what will the Flemish do without their best player? Elke, the daughter of conductor Jozef, has an idea. A transfer! What works easily on a football field seems to be more difficult in the music world. The young, handsome Hugues generates a lot of emotions in the quiet village of Staaikerke. His transfer drives the conflict between En Avant and Sint-Cecilia on.

While on a ship to Skagway, Alaska, Duke and Chester find a map to a secret gold mine, which had been 'stolen' by thugs. In Alaska to recover her father's map, Sal Van Hoyden falls in with Ace Larson, who secretly wants to steal the gold mine for himself. Duke, Chester, the thugs, Ace and his henchman chase each other all over the countryside—for the map.

Olaf is on a mission to harness the best holiday traditions for Anna, Elsa, and Kristoff.

Ole Olsen and Chic Johnson are Broadway stars who return to Universal Studios to make another movie. The mere mention of Olsen and Johnson's names evacuates the studio and terrorizes the management and personnel. Undaunted, the comedians hire an assistant director and unknown talent, and set out to make their own movie.

Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.

In the year 2047, sex is forbidden and Big Brother uses robots to keep an eye on everyone. One young girl tries to outwit the government so she can be with the man she loves.

A music teacher is trying to organize a choir in the school he works in.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen. Recorded live on Broadway in January 1980.

A corrupt mayoress fakes a miracle to save her bankrupt town, and the romance between a rational nurse and an easygoing doctor caught in the chaos. A live concert held at Carnegie Hall in New York City as a benefit for the Gay Men's Health Crisis, with Angela Lansbury, who had starred in the original Broadway cast in her stage debut, as the narrator.

Sutton Foster takes over City Center—filling it with her indomitable spirit for a concert with her friends that celebrates their connections to the historic theater and reflects on the challenges facing all of us. Bring Me to Light reunites Foster with fellow Encores! cast members Raúl Esparza and Joaquina Kalukango, City Center alum Kelli O’Hara, and Wren Rivera—Foster’s student at Ball University. Together, they enliven City Center with the hope of what lies ahead through performances of music theater favorites from Anyone Can Whistle, Camelot, Oklahoma!, South Pacific, Violet, The Wild Party, and more. Accompanied by Music Director Michael Rafter (piano) and Matt Hinkley (guitar), Bring Me to Light is directed by Leigh Silverman, with Jeanine Tesori serving as Creative Producer.