A group of professional skateboarders and their friends take part in the Gumball 3000 rally, an 8 day race around the world from London to Los Angeles.

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

When Bodi and his band 'True Blue' leave Snow Mountain to tour with pop sensation Lil' Foxy, they learn that fame comes at a price.

French pop diva Dalida candidly discusses a number of the songs that made her a phenomenal success across Europe, the Middle East and Japan in this celluloid chronicle of the beguiling singer. Dalida -- who earned 45 gold records -- talks about "J'attendrai," "Besame Mucho," "Paroles Paroles" and other hits. The video also includes previously unreleased pictures shot in exotic locales and footage spanning the singer's 30-year career.

A portrait of Norwegian poet Odd Børretzen in his own words, featuring musical highlights from Børretzen's work with musicians Alf Cranner and Lars Martin Myhre.

Girls Band Cry is receiving a brand new movie.

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

Jan Smuts is a foremost political figure in South African 20th Century History, and is recognised today by two of the world's leading historians as being at the very centre of the vision for a new world order that emerges from the League of Nations and the United Nations.. Yet, he is virtually persona non grata in his own country.... and largely ignored in school history books. This one hour drama-documentary, with its dramatised cameo scenes in which his look-alike grandson takes on the role of Jan Smuts, battle re-enactments, historical archival footage, comments from historians, political analysts, and South African political struggle heroes, looks back on his life and the circumstances that shaped it in search of some answers.

Ana Deborah Mola and Belkis Lescaille were among the first young teachers who started pilot programs around the island of Cuba in 1960, laying foundation for the massive National Literacy Campaign that would take place the following year.

This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.

A short documentary on the practice of Zar in Sudan.

No profession, no say, no freedom of expression. Life as a prince consort is not exactly pleasure taxing. No constitution ascribes any function to the husband of a queen. Nowhere does it say what he must or must not do. A life in the shadow of the crown. Can that go well?