A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.

In late 90s Osaka, three people from various walks of life meet by chance. They team up to orchestrate a complex financial con targeting crooked businessmen in an attempt to solve their respective financial woes.

Kokko is a third grade elementary school student. Even though she has a family who loves her, Kokko is full of dissatisfaction and she admires loneliness.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

A treasure appears in front of antique dealer Norio Koike (Kiichi Nakai) and potter Sasuke (Kuranosuke Sasaki). The treasure is Hideyoshi Toyotomi’s chawan (procelain tea bowl) called Houou, that has been missing.

Ichijo Sayuri, once the legendary queen of Osaka strippers, has retired to run a sushi shop. She is awaiting her day in court after having been arrested for indecency at her farewell performance. While she was active, she was both the rival and the model for many young strippers. Harumi was one of them. Ichijo Sayuri was the real-life queen of Osaka strippers who was arrested on her final performance.

A not-so-heartwarming tale about capsule toys, the nightmare of obsession, jealous rage, and a slimy, stop-frame animated tiny monster.

Based on an autobiography by Hiroshi Tamura, the film follows story of the author's experience of homelessness when this father suddenly decides to abandon his family. Hiroshi and his older siblings do all what they can to withstand the trouble they encounter along their way.

A family drama is born that depicts the youth of the heroine, who dreamed of working at an expo with the desire to connect with people all over the world, and her family, with a heartwarming touch.

A comedy about the lives of people living in the shopping district of Osaka.

Tatsuo and Ikuo have been raised by hard-working parents who run a funeral home. For relief, they practice games of manzai, a Japanese comic vaudeville. Tatsuo grows up to be a handsome chick magnet, while Ikuo is nerdy and unappealing. He spies on his brother to get material for their reality porn show. The show is bleeped heavily, and their bleep language becomes trendy and makes them stars.

The Fable is a legendary yakuza hitman equal to none—but his boss orders him and his sultry associate to lay low and learn how to live a "normal life" in Osaka.