The testimonies of the Mashteuiatsh Puakuteu women's committee punctuate this intimate short film about mourning and healing. Throughout the doll-making workshops, the women share their doubts and hopes and build a space filled with strength and solidarity.

No description available.

No description available.

Transcending cultural barriers and consistently going against the grain, female Nepali climber Pasang Lhamu Sherpa attempted to summit Everest four times in the early nineties. Although she was not allowed to attend school as a child, Pasang did not let that stop her from pursuing her dreams. After founding her own trekking company in Kathmandu, she blazed a trail for Nepali women via her efforts to summit Everest. Proving how big you can dream and how far you can go to achieve those dreams, she left a legacy not only for the family she has left behind, but for the myriad women following in her footsteps.

This documentary follows the feats of high-altitude climber Jerzy Kukuczka and his ascent to higher heights before his death in 1989.

Movie about David Lama climbing the Patagonian mountain Cerro Torre for the first time free, a mountain that has been dubbed the most difficult to climb in the world.

Vertical Opera is a documentary film directed by Jean-Paul Janssen, with climbers Patrick Edlinger and Jean-Paul Lemercier in the Gorges du Verdon. The film opens with a training sequence of Patrick Edlinger then he links the routes with Jean-Paul Lemercier "L'Ange en décongelation" (7a), in which he falls voluntarily to demonstrate the usefulness of the rope, then "Le Septième Saut" (7b+). Finally, the final scene, an anthology, consists of a close-up of Edlinger who climbs free solo and barefoot the route "Débiloff", still in the Verdon, above hundreds of meters of void, all to lyrical music. It is "Wie Furchtsam Wankten Meine Schritte", the aria for alto voice from Johann Sebastian Bach's cantata BWV 33, music not unrelated to the subject of the documentary: "How faltering and fearful my steps were".

Focused on an inspiring and touching dialogue between Gilles Vigneault and Fred Pellerin, the documentary tells the story of Quebec by digging deep into an ancestral tradition etched into our cultural DNA: the production of maple syrup.

The epic 1500km bivouac flight of Damien Lacaze and Antoine Girard, two French paragliders and mountaineers, through the heart of the Himalayas and the Karakoram ranges. This journey is actually a prelude and acclimatization for their attempt to climb Spantik (7027m) from the nearest town in two days, using only paragliders. Is it truly feasible? What are the limitations of such an ascent? Can they earn a living from it?

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Gabriel Drolet-Maguire, a designer living in Montreal, takes us into their artistic world to discuss their HIV diagnosis. This is a timely and hopeful look at past and present day HIV/AIDS activism in Quebec.

What compels a man to push the limits of what is attainable ever higher? After thirty years of relentless struggle with the highest peaks on earth, Marc Batard has finally found the answers to these questions. He had to reach the summit of Everest twice, once shattering the record for fastest time in 24 hours without oxygen, and climb the most difficult faces of the Alps to glimpse the path to inner healing. It was through physical suffering that he was able to confront the pain of his soul. He was finally able to talk about the violence of his childhood, the shock he carried like a ball and chain for decades. Having completed his summit therapy, Marc Batard tells his story in this documentary by Gilles Perret.