
National Theatre Live: Top Girls
Drama · Comedy
Overview
Now hiring: top girls wanted for prestige positions. Must be self-motivated go-getters with an appetite for success. No timewasters. Marlene is the first woman to head the Top Girls employment agency. But she has no plans to stop there. With Maggie in at Number 10 and a spirit of optimism consuming the country, Marlene knows that the future belongs to women like her.
Top Cast


Lucy Black
Lucy Black
Joyce
Lucy Black
Joyce


Jessica Brindle
Jessica Brindle
Shona
Jessica Brindle
Shona


Lucy Ellinson
Lucy Ellinson
Patient Griselda
Lucy Ellinson
Patient Griselda


Amanda Hadingue
Amanda Hadingue
Louise
Amanda Hadingue
Louise


Liv Hill
Liv Hill
Angie
Liv Hill
Angie


Ebony Jonelle
Ebony Jonelle
Waitress
Ebony Jonelle
Waitress


Katherine Kingsley
Katherine Kingsley
Marlene
Katherine Kingsley
Marlene


Wendy Kweh
Wendy Kweh
Lady Nijō
Wendy Kweh
Lady Nijō


Amanda Lawrence
Amanda Lawrence
Pope Joan
Amanda Lawrence
Pope Joan


Marcia Lecky
Marcia Lecky
Ensemble
Marcia Lecky
Ensemble
Similar Movies

On a distant island a man waits. Robbed of his position, power and wealth, his enemies have left him in isolation. But this is no ordinary man, and this no ordinary island. Prospero is a magician, able to control the very elements and bend nature to his will. When a sail appears on the horizon, he reaches out across the ocean to the ship that carries the men who wronged him. Creating a vast magical storm he wrecks the ship and washes his enemies up on the shore. When they wake they find themselves lost on a fantastical island where nothing is as it seems.

Captain's daughter Josephine and common sailor Ralph Rackstraw are in love. However, their relationship is complicated by her arranged marriage to the high-ranking Sir Joseph Porter. A secret about the characters' true identities revealed by Little Buttercup, which leads to a farcical resolution. Performed by the D'Oyly Carte Company for Opera Australia.

Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France. But the ambitions of this charismatic king are challenged by a host of vivid characters caught up in the real horrors of war. Henry V, which opened the new Globe with the words ‘O for a muse of fire’, celebrates the power of language to summon into life courts, pubs, ships and battlefields within the ‘wooden O’ - and beyond.

As beautifully touching as it is funny and bold, Things I Know To Be True tells the story of a family and marriage through the eyes of four grown siblings struggling to define themselves beyond their parents’ love and expectations. Parents Bob and Fran have worked their fingers to the bone and with their four children grown and ready to fly the nest it might be time to relax and enjoy the roses. But the changing seasons bring home some shattering truths. Featuring Frantic Assembly’s celebrated physicality, and co-directed by Frantic Assembly’s Tony and Olivier Award nominated Artistic Director Scott Graham and State Theatre Company’s Artistic Director Geordie Brookman, Things I Know To Be True is a complex and intense study of the mechanics of a family that is both poetic and brutally frank.

A witch hunt is beginning in Arthur Miller's captivating parable of power with Erin Doherty (The Crown) and Brendan Cowell (Yerma). Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power. As a climate of fear, vendetta and accusation spreads through the community, no one is safe from trial. Lindsey Turner (Hamlet) directs this contemporary new staging, design by Tony award winner Es Devlin. Captured live from the Olivier stage of the national theater.

Based on Shakespeare’s play, Timon of Athens tells the tale of conspicuous consumption, debt and ruin. Timon of Athens is a wealthy friend to the rich and powerful. With his riches, he showers hospitality on the city’s elite. Unfortunately, his associates don’t lend him a helping hand when he accidentally spends more than he has on resources. After a final banquet, Timon is forced to withdraw himself to a wasteland, living off nothing but roots and cursing bankrupt Athens.

















