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Director Miho Niikura examines the modern practice of tee (Okinawan karate), and its attractiveness to Westerners—some of whom travel thousands of miles to study the venerable martial art in its birthplace, Okinawa.

Every year since 2011, a unique beauty contest has been taking place in Haifa. The contestants are female survivors of the Holocaust. In the midst of this flashy spectacle, their personal traumas remain as deep as ever. There are many things about this contest that are controversial: it is organized by the right Zionist organization, the International Christian Embassy Jerusalem, and the dubious contest itself rises the public indignation of various speakers, including other survivors.

Back in the days, Choi Maggi an old lady accepted Kim Chunhee as her husband’s second wife to continue the family tree as she has lost her two sons in the past due to measles and typhoon. This story is more dramatic than any drama because even after the death of their husband they live together. The director does a good job in expressing the lives of these two old ladies without any exaggeration. The daily life and relationship of the two ladies eating, washing and working is described in a very detailed script. Through this film you will feel the eager echo of the proposition of life that exceeds the standard of happiness and misfortune. (KIM Youngjin)

A sensual and insightful film about three elderly dancers from Budapest. Irén, Éva and Ágnes - all between 90 and 100 years old - were once part of the early modern dance movement in Hungary. Taking the role of a dance student and dialogue partner Boglárka retraces how each of the elderly dancers transformed their lives and movement practices in order to survive the major socio-political changes of the last century. The film takes us into a personal and bodily encounter with three very different personalities and their relation to their past and present. Returning to the stage and performing in their private rooms, Irén, Éva and Ágnes reveal us an incredible richness of experience stored in their bodies. A choreography of memories.

Henri Storck and Joris Ivens’ landmark of social documentary, blending staged scenes with locals and on-the-spot reportage to depict the 1932 miners’ strike in Belgium’s Borinage—evictions, hunger, and police repression—transforming outrage into a call for solidarity.

Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.

Coal miners are dying from the resurgence of an epidemic that could have been prevented. FRONTLINE and NPR’s joint investigation revealed the biggest disease clusters ever documented, and how the industry and the government failed to protect miners.

Sigrid Koetse, award-winning actor and grande dame of Dutch theater, lived most of her life in the public eye and was always surrounded by a crowd of admirers. With this short documentary, filmmaker Wytse Koetse shows how his aunt spends her days nowadays, lonely in her Amsterdam home.

In April 2023, SU-METAL (vocal, dance), MOAMETAL (scream, dance), and MOMOMETAL (scream, dance) entered a new stage as the new BABYMETAL, and since then, they have embarked on their largest-ever world tour, "BABYMETAL WORLD TOUR 2023-2024," visiting 25 countries including Japan. The 98 performances, excluding festivals and guest act appearances, recorded a total audience of over 280,000 people.

Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?

An Okinawan photographer, Mao Ishikawa spent her early 20s working as a barmaid in establishments catered specifically to African American GIs stationed in Okinawa. “There was love,” as the tagline reads, her photography book, 『Red Flower – The Women of Okinawa』 captured the diaristic intimacy of friendships, love affairs, and wild nights shared amongst her social circle of that time.