When two unlikely friends embark on a journey to find the world's best bourbon, they encounter strangers, freaks, and a plethora of zany horrors that will leave them forever changed.

This story happened a long time ago, when the mead makers kids skillfully knew their business, and their magnificent drink was appreciated and famous far beyond the borders of the land where they lived. One insidious and cruel ruler destroyed almost all of these mead makers. And when summer came and new heather carpeted the fields, the ruler began to yearn for the lovely drink, therefore ordered his subjects to get it...

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.

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Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

The kings of twang perform live at the Birmingham NEC in 1986, stepping out of Cliff Richard's shadow to showcase their own back catalogue of hits, including 'Apache' and 'Cavatina'.

The life of Moses as told through the Book of Exodus, the imagination of a dying boy, and the ballads of his father.

A close-up of Allen Ginsberg reciting his “skeletons” poem is bluescreened and dissolved against archival film and video clips, and backed by musicians to create a sort of song that becomes an American anthem.

The second installment to BTOB's Ballad Trilogy, "Way Back Home" tells the story of three troubled boys who, after having lost their way, finally find their way back home.

The third and final installment in BTOB's Ballad Trilogy, "Remember That" tells the story of a man reminiscing his past love.

Soura stumbles upon a bluebell field and is left in a haunting trance, plagued by disturbing visions. She returns to the field, desperate for a solution, and meets a girl suffering a similar fate.