After becoming the victim of vicious cyber bullies, Lisa makes a deal with the devil to exact revenge on her tormentors.

The Davises are expecting a baby, which turns out to be a monster with a nasty habit of killing people whenever scared. And it's easily scared.

Maternity wards echo with the patter of tiny claws as more murderous baby-faced monsters are born. But rather than kill their monstrous offspring during delivery, cursed parents flee to secret incubation hideouts.

A social worker who recently lost her husband investigates the strange Wadsworth family. The Wadsworths might not seem too unusual to hear about them at first - consisting of the mother, two grown daughters and the diaper-clad, bottle-sucking baby. The problem is, the baby is twenty-one years old.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.

Naomi Armitage and Ross Sylibus have changed their names and live with their daughter Yoko as a happy and normal family on Mars — until an android riot breaks out at an anti-matter plant on Earth.

A couple moves into a new house in the middle of sugarcane fields unaware that it is haunted by evil spirits.

Vera Farmiga's directorial debut, HIGHER GROUND, depicts the landscape of a tight-knit spiritual community thrown off-kilter when one of their own begins to question her faith. Inspired by screenwriter Carolyn S. Briggs' memoir This Dark World, the film tells the story of a thoughtful woman's struggles with belief, love, and trust - in human relationships as well as in God.

A young woman and her fiancé are in search of the perfect starter home. After following a mysterious real estate agent to a new housing development, the couple finds themselves trapped in a maze of identical houses and forced to raise an otherworldly child.

Marlin (Joe Wilcox) and his slightly crazy but loving wife Elvira (Lauren Campbell) are having money troubles in the 1940’s. Marlin seems to have caught his lucky break when a powerful person in the war is interested in him making a propaganda movie for him. Unfortunately the couple may have bitten off more than they could chew.

A black comedy dealing with oedipal conflicts, burning hot pizza and disfigurement. A tracking camera reveals a sleeping man named Melvin. In a period-piece dream (of his own childhood?) we see a young mother with a baby carriage and an older, heavy-set man with a cigar. When the carriage rolls down a staircase toward the man, his bulk fortunately stops it and saves the baby. Later, they meet again at a pizza parlor, where hot cheese from the slice he orders inadvertently slides in slow motion onto the baby. The dreamer awakens with a start revealing a face marred by burn scars. Showing the traumatic memory from the pizza parlor

Susan needs to come up with a commercial jingle for a new pillow before the weekend, but there are distractions: her infant’s incessant crying, her husband’s strange behavior, her baby monitor’s ability to pick up juicy neighboring arguments. And yet, these intrusions seem small compared to the arrival of a mysterious courier, whose presence threatens more than Susan’s productivity.