Aïcha is a troubled teenage girl who cannot forgive her mother for kicking out the stepfather she adored. Aïcha longs for him to come back and take her away. When she meets Baz, a man twice her age, it’s love at first sight for her; the real kind, the one that hurts. Baz wants to help this lost little girl, but she wants much more from him, and is ready to do anything to get it.

Mathilde is nine years old. Her parents have separated. She lives with her mother, a fragile person who hovers at the edge of madness. It is a story of a unique love between a daughter and her mother.

Socialite Judith Traherne lives a lavish but emotionally empty life. Riding horses is one of her few joys, and her stable master is secretly in love with her. Told she has a brain tumor by her doctor, Frederick Steele, Judith becomes distraught. After she decides to have surgery to remove the tumor, Judith realizes she is in love with Dr. Steele, but more troubling medical news may sabotage her new relationship, and her second chance at life.

When their eight-year-old daughter falls into a coma after a tragic accident, Eva and David are torn apart by grief. David clings to hope, unwilling to let go, while Eva cannot bear to see her child suffer and takes matters into her own hands—igniting a gripping courtroom battle over guilt, mercy, and the limits of love

As her marriage dissolves, a Manhattan writer takes driving lessons from a Sikh instructor with marriage troubles of his own. In each other's company they find the courage to get back on the road and the strength to take the wheel.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

Olga discovers the unfinished diary of a notorious killer and becomes captivated by its dark secrets. As she delves deeper, she uncovers a mysterious connection between them, putting her life—and the lives of those around her—in grave danger.

As Ana's mom transforms into an insect, their codependent relationship becomes unbearable.

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

A sideshow can be a magical place. For those who live and work there, it can be a safe haven. For Cleo, her role in the family-run exhibit is clear: as the 88th generation of proud, bearded women, she follows their legacy of sword-swallowing, and her overbearing mother, Lady Andre, wants Cleo to be an obedient daughter and stick with tradition. But outside the show tents of Paradise County is a big world, and when Cleo’s fresh ideas for their sword show aren’t embraced, and she clashes with her mother, she gets the itch to leave her talented fringe family to find love and perhaps a new normal that doesn’t include facial hair.

The story centers on a group of gossipy, high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily-wedded Mary Haines finds her marriage in trouble when shop girl Crystal Allen gets her hooks into Mary's man.

Ava remembers her childhood home as a place full of amazing things and adventures. The day she returns home from university, however, everything changes: what used to be a treasure chest has become an oppressive box, and her mother’s things and fear of letting go overwhelm their home and their relationship. By dipping into memories and sharing a moment in time, can mother and daughter reach an understanding? 'Of All The Things' is a narrative short inspired by lived experience with the aim of developing a compassionate dialogue around hoarding. This is a story about connection, not just a condition. The film was made with the support of the hoarding community to ensure authenticity, it is designed to visualise the unseen emotional impact hoarding behaviours can have on the relationship between family members. Produced by Kino Bino with funding from the BFI NETWORK and crowdfunding.