Near the end of the Korean War, a platoon of U.S. soldiers is captured by communists and brainwashed. Following the war, the platoon is returned home, and Sergeant Raymond Shaw is lauded as a hero by the rest of his platoon. However, the platoon commander, Captain Bennett Marco, finds himself plagued by strange nightmares and soon races to uncover a terrible plot.

The film follows a group of Chinese People's Volunteer Army soldiers who are holding Triangle Hill for several days against US forces. Short of both food and water, they hold their ground until the relief troops arrive. The movie portray the battle as a Chinese victory over an American invasion, and the People's Volunteer Army soldiers were shown as Chinese war heroes."

The story of sharpshooter Zhang Taofang, a young army recruit who at age 22 sets a record during the Korean War by reportedly killing or wounding 214 American soldiers with 435 shots in just 32 days.

Out of fourteen ministers taken away by the communist troop, only two come back alive. The mystery behind their survival is at the issue here. Told through one of the survivor's testimony, depicts images of men troubled between the war and the religion. Although laden with anti-Communist notions from the 60's military regime.

The director's father, who did not know how to use a computer, left her an autobiography via email. It includes his whole life through many notable events such as the Korean War, the Vietnam War, 88's Seoul Olympic, New Town Development, etc.

One of the world's most acclaimed comedies, M*A*S*H focuses on three Korean War Army surgeons brilliantly brought to life by Donald Sutherland, Tom Skerritt and Elliott Gould. Though highly skilled and deeply dedicated, they adopt a hilarious, lunatic lifestyle as an antidote to the tragedies of their Mobile Army Surgical Hospital, and in the process infuriate Army bureaucrats. Robert Duvall, Gary Burghoff and Sally Kellerman co-star as a sanctimonious Major, an other-worldly Corporal, and a self-righteous yet lusty nurse.

A man wanders around the mountains with a bleeding leg, holding a rifle in his hand. Seemingly a fugitive, he runs from as-yet unknown pursuers, but he also seems to be following somebody who has already walked the same path. As he hides in a secluded cave, past memories sweep through his exhausted mind, memories of lifelong cowardice and evasion. And this recollection leads to a reconstruction of early 20th century Korean history. Winner of Best Picture (Nam-a Pictures Co., Ltd.), Best Actor (Ha Myung-joong), Best Art Direction (Kim Yoo-joon), Best Lighting (Son Young-cheol) at the 14th Grand Bell Awards. (source: Jiro Hong, koreanfilm.org)

One year after the Korean War, the conflict had reached a stalemate. The two opposing forces began to search for a way to end the grueling war of attrition, eventually settling on a modest village called ‘Pan Mun Jom’ near Gaeseong as the designated site for negotiations. Despite initial hopes for a quick resolution, the negotiating parties encountered obstacles that prevented an agreement. Disputes over the military demarcation line and the repatriation of prisoners of war thwarted their efforts. The film peels back the layers to reveal the untold story of Pan Mun Jom, shedding light on a history that has remained hidden until now.

A middle-aged woman in Busan searches for the son she lost in Gilsodom during the Korean War.

In this sequel to Hope and Glory (1987), Bill Rohan has grown up and is drafted into the army, where he and his eccentric best mate, Percy, battle their snooty superiors on the base and look for love in town.

When two brothers are forced to fight in the Korean War, the elder decides to take the riskiest missions if it will help shield the younger from battle.

Upon hearing that her fiance has been killed in battle, a woman makes her way to the Park Pagoda to seek comfort from the monument. There she becomes acquainted with Henry Jang, a Korean-American whom she eventually marries. There is no happy ending for the two, however, because her fiance shows up alive and well, but bitter over his lover's fickle nature