Comstock Films has created a unique film series that explores sexual relationships among couples. Each film focuses on one couple and begins with an intimate interview that sets up the background of the couple's relationship: how they met, the basis of their intimacy, what attracts them sexually to one another, and how they share their innermost desires and fantasies. The camera then turns to an intimate lovemaking session, recording in detail the passion and eroticism that exists between the two. Coverage is explicit, but not provocative; it allows viewers to share in the couple's healthy, passionate, romantic relationship and to experience first hand the erotic intimacy of their lovemaking. Damon and Hunter: Doing it Together features the first gay relationship in the series. Damon and Hunter are two adult film stars on the rise, but are also real-life lovers.

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.

A fresh face comes to Hollywood to act in movies but only the gay porn studios are eager to provide him with work.

An experimental short film made as part of a multi-media triptych, originally screened alongside a fashion collection and an art-installation. Drawing from Papa Yorick’s (Director and fashion designer) thesis “Men Are My Cumrag”, the film reenacts eight mainstay gay porn scripts, incorporating and parodying tropes and clichés, that explore masculine identities within the gay porn industry, through a satirical and critical lens.

A teenage boy, raised by a mother who considers herself psychic, takes a bullied kid into his group of violent misfits. As the group’s troubles escalate toward life-threatening situations, an inner voice awakens in the boy and, with the help of his mother and his new friend, he manages to find his own path.

Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.

Son of a patriarchal family in the country interior finds out something.

A look behind the scenes of the Czech gay porn boom.

An unusual journey into the heart of gay porn, a universe populated by a host of planets, which professionals commonly call niches. These are all fantasies of inclined tastes and libidos. Olivier Ghis tries to understand where these famous niches come from and what desires they meet.

Freshman Neil's Vanguard stories are all he cares about...until he meets the older Julia, who pushes him to put his own fan fic online. When the website's moderator takes a special interest in Neil's work, it opens up a whole new universe.

When Janek, a straight Polish guy watches gay porn for the first time, his world is turned upside down. Battling with unsettling new thoughts, he is put into a journey of self-discovery.

Remodeling of a pornographic scene in which I shot for a major French studio. It was a question of reappropriating these images (originally categorized as "hard") to extract their erotic and perhaps even romantic potential.