
We'll Take Manhattan
Drama · Romance · TV Movie
Overview
We’ll Take Manhattan explores the explosive love affair between sixties supermodel Jean Shrimpton and photographer David Bailey. Focusing on a wild and unpredictable 1962 Vogue photo shoot in New York, the drama brings to life the story of two young people falling in love, misbehaving and inadvertently defining the style of the Sixties along the way.
Top Cast


Karen Gillan
Karen Gillan
Jean Shrimpton
Karen Gillan
Jean Shrimpton


Aneurin Barnard
Aneurin Barnard
David Bailey
Aneurin Barnard
David Bailey


Frances Barber
Frances Barber
Diana Vreeland
Frances Barber
Diana Vreeland


Helen McCrory
Helen McCrory
Lady Clare Rendlesham
Helen McCrory
Lady Clare Rendlesham


Fiona Button
Fiona Button
Lavinia
Fiona Button
Lavinia


Anna Chancellor
Anna Chancellor
Lucie Clayton
Anna Chancellor
Lucie Clayton


Allan Corduner
Allan Corduner
Alex Liberman
Allan Corduner
Alex Liberman


Robert Glenister
Robert Glenister
Ted Shrimpton
Robert Glenister
Ted Shrimpton


Alex Jennings
Alex Jennings
John Parsons
Alex Jennings
John Parsons


Natasha Little
Natasha Little
Peggy Shrimpton
Natasha Little
Peggy Shrimpton
Similar Movies

Peter Wilcox, as skipper of the 'Rainbow Warrior', a Greenpeace ship, docks in Auckland, July 1985, preparing for a protest against French nuclear testing in the south pacific. When a bomb rips open the vessel, killing a crew member, he must convince the police superintendent that this is an act of terrorism. Determined not to allow outside forces to threaten their harbor, the police embark on a pursuit of the persons responsible. The events that follow nearly bring down an allied nation's government.

The story of Jennifer Dulos, the wealthy Connecticut mother-of-five who mysteriously vanished on May 24, 2019. Jennifer believed that she had found her Prince Charming in Fotis Dulos, but by the time of her disappearance, their 13-year marriage had disintegrated and they were engaged in a bitter divorce and a contentious custody dispute for their five children. When she disappeared without a trace after dropping off her children at school, the police turned the spotlight on Fotis, who claimed that Jennifer had staged her own disappearance a la Gone Girl.

Ruth Ellis lives with her ten-year old son Andy next to a night club. One night she meets David Blakely, and they start a love affair. However, for David with his upper-class background, it is impossible to uphold the relationship. He breaks up with her, something which makes Ellis, obsessed by him, very upset.

Pyar Vali Love Story presents two parallel stories. The first one is between a Garage owner Pashyabhai in a chawl and a street-smart and blunt girl Nandini, living in the chawl. When their marriage takes place, Pashyabhai's younger brother Amar arrives in the chawl and then begins another love story between Amar and Aliya, a muslim girl living in the neighbourhood. Aliya's brother Kadar who is also good friend of Pashyabhai, fixes the marriage of his sister with Inspector Alam. When Kadar comes to know about his sister's relationship with Amar, he warns him and even beats him. In the meanwhile, communal riots break out and Inspector Alam is killed. Kadar suspects Amar and vows to take the revenge. Amar and Aliya who are intensely in love, manage to run away from the scene.

Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.

The professional mercenary Sir William Walker instigates a slave revolt on the Caribbean island of Queimada in order to help improve the British sugar trade. Years later he is sent again to deal with the same rebels that he built up because they have seized too much power that now threatens British sugar interests.

After the premiere, the theatre group gathers in a bar to celebrate. However, the cheerful gathering is interrupted by a drunken Soviet officer. He insists on selling a can of petrol. However, when he senses the awkwardness, the hidden hatred, the cowardice, the timidity of the people there, he begins to enjoy the situation with his intrusiveness. When he takes his pistol out of its holster, things start to get crazy. The people in the bar suddenly become “freedom fighters” against the Russian occupation.














