An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.

For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is "bamboo" ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale-seven equidistant degrees in an octave-are practically tuned.

In this ultimate guide to Scandinavia travelers Megan McCormick, Ian Wright and Neil Gibson explore Denmark, Sweden, Norway, Lapland, Finland and the Baltic States. From enjoying a traditional Viking festival to crossing the Arctic Circle into Lapland for dinner with reindeer herders to a visit to the capital of Lithuania, Vilinus, and the Midsummer Night Festival in Kernave, these hosts will introduce the viewer to a variety of sites and attractions during their Scandinavian tour.

A powerful cultural documentary about a Caribbean father and son who return to Grenada to reclaim ancestral stories. Blending folklore, myth, and underwater visuals, the film preserves Black heritage and reframes the feared Jab Jab as a symbol of resistance and identity.

In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.

Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.

The film presents a parade of customs, music, songs and dances of the Slovak people in four seasons, based on a theatre play by I. Teren and K.L. Zachar from the first years after the liberation.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

Marcos Lopez's first feature film explores the world and oeuvre of Argentine folk musician, Ramón Ayala. The movie also provides interviews with contemporary musicians from Argentina, who were influenced by Ayala. At the same time, the picture portrays the different landscapes of the country: the jungle and soil of Misiones (Ayala's native province), the folk festival in Córdoba and the urban environment of Buenos Aires; paying special attention to those places where Ayala's music circulate. One of the most famous Argentine photographers, Lopez takes advantage of the cinematographic medium to stamp his visual aesthetics, which offer a very ironic, yet loving, approach to Argentina.

The members of the Ayrudzi troupe travel across various villages of Armenia on horseback and put on folk song and dance concerts and shadow theatre performances for the locals.