A documentary about a man who as established himself as a Uzbek dog walker in the Cihangir, where the intellectual people have lived in heart of İstanbul, for 10 years. We will see about this man, who looks like a loser and quite type, whom most of people sees as one of his family, and what he accomplished in 10 years.

The story of the journey back to the past of the third and fifth generation women of a family who had to leave their homeland due to the population exchange between Turkey and Greece. Will they be able to take the land they took from their families' graves to their hometown of Kavala?

Istanbul is one of the rare cities with the most intense cultural heritage in today's world, with a history of over 5,000 years. For example, in an ordinary street of Beşiktaş, you can see a fountain that has been "partially preserved" despite tens of layers of asphalt on it, and lacks historical and cultural explanation. It is possible to observe undefined and unexplained history and culture all over Istanbul. Look at whatever angle you want to look at, consciously or out of ignorance, but the truth is that Istanbul has been presented to people by being undefined. The aim of this fictional documentary is to raise the awareness of the viewer towards the cultural self of the city, which is of great importance, by questioning the realism of the fictional documentary.

With the end of the “Peace Process” in 2015, I witnessed the conflict that broke out between the PKK and government forces in the Sur region of Diyarbakır. I was a freelance journalist at that time, witnessing this terrible event caused me a trauma. Years later, I turned these images in my archive into a documentary. I prepared this documentary by reflecting on the witness, migration and urban memory. It was very sad to take such bad footage with my camera. After these images, the Sur region was demolished, and absurd houses are now being built instead of demolished houses.

Dede Colak works as a shepherd in Aladağ district of Adana. Due to the high rate of child deaths in the village where they live, the families sought to go to the shrines and to give different names to the children born. Taking his name from the tomb of Koyun Dede, Dede lives the name given to him as fate and continues his daily life by carrying the difficulties that come from being a shepherd. The only dream of Dede, who cannot reconcile with his family and village people about marriage, migration to the city and work, is to marry.

Combining the arts of animation and marbling with real images, Zigzag focuses on the story of a woman in a headscarf who is stranded in the middle of the sea on a mixed beach.

The house of Judah was burned. An absurd document demanding payment of the fire brigade drags the boy to the fire station to object.

Anoush, a little girl, goes to borrow a wedding dress from a distant relative for her brother's wedding. Leyla, a teacher, comes home as a second intruder. Leyla has just been appointed to the village school. She learns that the village school had been abandoned many years ago and that there is no children in the school age. On the other hand, Anoush could not learn to write although he could read because her teacher resigned and left the village. Transportation between villages takes place once a day. Anoush and Leyla are forced to spend the night in the same house. Will the two passengers get what they want despite the long road?

A public toilet cleaner is concerned about her pregnancy test on a normal day of her work.

As a civilian group with a woman about to give birth fleeing to the safe zone from the Serbian genocide with a sizzling radio, they find that they are not by the river with the dog barking they hear, but they are on the side of something else ...

Kurds living in a village in eastern Turkey Seyithan (12), Arabian Nights fairy tale meets with the teacher by classmates and the school looks for a way of finding missing stories.

Ufuk and Ömer are two imaginative brothers, 10-11 years old, living with their parents in a rural area near the border. One day, they see a documentary about fishermen on TV and they set out to make their own fishing rods. But to fish, they have to reach the lake beyond the border. Meanwhile, their father, Mesut, is troubled by financial difficulties that are limiting his and his family's lives, and he accepts an illegal job he thought he would never do to improve their situation. In parallel, the motivations of fathers and sons, who are trying to find their own way to overcome their limits, are very different from each other and their jobs are not easy at all.