Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

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"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre

Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

Part journalistic investigation and part performance documentary, "Who Killed The Federal Theater?" tells the story of the Federal Theatre Project within the context of a volatile period in the political, social and cultural history of the United States. The film features interview segments with playwrights, including Arthur Miller, and with actors, directors, designers, and historians. It also incorporates rare archival materials and dramatic sequences, including professionally re-created scenes from Federal Theatre productions that transport viewers back in time to a bygone era in American history and entertainment.

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A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”

In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.

Signals Through the Flames is at once a history and a celebration of the Living Theatre. Founded in the late 1940s by husband-and-wife performers Julian Beck and Judith Malina, the Living Theatre was for many years the predominent American outlet for the avant-garde movement. There were occasional self-imposed exiles to Europe in the 1950s and 1960s, but the group returned full-force during the Aquarius Age to entertain a new generation of theatregoers.

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?