
Marceline, the Best Clown in the World
Documentary · History
Overview
An account of the life and work of the Spanish clown, mime, acrobat and actor Marcelino Orbés (1873-1927), known as Marceline, who, between 1900 and 1914, was unanimously acclaimed as the best in the world.
Top Cast


Pepe Viyuela
Pepe Viyuela
Marcelino
Pepe Viyuela
Marcelino


Laura Gómez-Lacueva
Laura Gómez-Lacueva
Louisa Johnson
Laura Gómez-Lacueva
Louisa Johnson


Cristina Gallego
Cristina Gallego
Ada Holt
Cristina Gallego
Ada Holt
Angelo Crotti
Angelo Crotti
Angelo Crotti


Alberto Castrillo-Ferrer
Alberto Castrillo-Ferrer
Alberto Castrillo-Ferrer
José Piris
José Piris
José Piris


Salomé Jiménez
Salomé Jiménez
Salomé Jiménez


Nacho Rubio
Nacho Rubio
Nacho Rubio
Martí Hernández
Martí Hernández
Martí Hernández
Alberto Quirós
Alberto Quirós
Alberto Quirós
Similar Movies

On the outskirts of Augusta lives Orazio: a mechanic by vocation. Due to countless misadventures he cannot open a workshop. To give vent to his anger, he transforms mopeds and scooters into “glittered motorized umbrellas.” Glitter helmets and hyper-colored decorations dress him up; thus begins his passion for “light” understood as a superior force.

The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

Assigned to oversee the development of the atomic bomb, Gen. Leslie Groves is a stern military man determined to have the project go according to plan. He selects J. Robert Oppenheimer as the key scientist on the top-secret operation, but the two men clash fiercely on a number of issues. Despite their frequent conflicts, Groves and Oppenheimer ultimately push ahead with two bomb designs — the bigger "Fat Man" and the more streamlined "Little Boy."

Franz Schubert toils by day as his father’s clerk while secretly composing in Beethoven’s shadow, gaining little recognition until friends persuade publisher Diabelli to host a public performance where he meets and falls for soprano Therese Grob. Abandoning a teaching career, he moves in with artist and poet friends, finds inspiration for the “Erlkönig,” and together with Therese sustains himself by performing his songs.

















