
National Geographic: Surviving Everest
Documentary
Overview
Half a century ago, Edmund Hillary and Tenzing Norgay became the first humans to stand atop the highest mountain of earth. Now, their sons and Brent Bishop, son of the first American to summit Everest, make a historic expedition to face Everest's unforgiving heights. Experience their harrowing, deeply individual quests to conquer this awesome peak - and discover the dramatic history of Everest, from tragedy and triumph to the unsung role of the remarkable Sherpa people. With gripping, on-location filming and never-before-seen archival footage, this is the thrill of Everest as only National Geographic can present it!
Top Cast


Peter Hillary
Peter Hillary
Peter Hillary
Jamling Tenzing Norgay
Jamling Tenzing Norgay
Jamling Tenzing Norgay
Brent Bishop
Brent Bishop
Brent Bishop


Peter Coyote
Peter Coyote
Narrator
Peter Coyote
Narrator
Similar Movies

K2 Chasing Shadows chronicles Benjamin Védrines' record-breaking 2024 ascent of K2 (8,611m) in 10 hours, 59 minutes, and 59 seconds, without supplemental oxygen: a story that unfolds as much in the mind as on the mountain. In human exploration, each boundary pushed awakens a new thirst. Each feat paves the way for a deeper quest. It is this tension between extreme performance and inner aspiration that drives K2 Chasing Shadows. For Benjamin Védrines, it is a journey of humility, resilience, and a search for meaning amidst the raw beauty of the Pakistani Karakoram. The film exposes the physical demands of a formidable summit, while also exploring fear, loss, and the perilous nature of dreams that demand total commitment. Between unforeseen obstacles, forced retreats and new attempts, Védrines faces the most trying and exhilarating aspects of mountaineering, constantly questioning where true accomplishment lies.

Brian Blessed plays George Mallory in this intrepid recreation of his ill fated 1924 climb to Everest. Meeting Sir Chris Bonington, Rheinhold Messnerhe learns of the pitfalls that await him before setting off for his epic struggle with the mountain. Against all odds he reaches 26000 feet on the North face of Everest, and is a changed man

For nearly three years, director Dina Khreino interviewed world-class mountain climbing athletes, listening to what compels them to leave behind families, friends, and everyday comforts to risk everything for a fleeting glimpse into the unknown. What she found was a tribe, a diverse group of professional adventurers and amateur philosophers forged by the ultimate test of body, mind, and spirit. In the face of shifting winds, sheer granite cliffs, and impossible odds, they climb. Each for their own reason, but every one connected by the vertical world. In this rarefied air, these athletes are fundamentally changed, not just as climbers, but as human beings.

Rotpunkt documents the advent, the agony and the art of the redpoint through Alex Megos’s efforts to redefine the boundaries of the form. The film traces the redpoint—which transformed rock climbing from an engineering problem into a brilliant test of mental and physical strength—from its origins with a ragtag bunch of tights-wearing revolutionaries in rural Bavaria, to its golden era with Wolfgang Güllich, to its new ideal in the German phenom Megos as he battles to unlock new levels of human potential.

This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.

In July 2024, Liv Sansoz and Bertrand Roche (aka Zébulon) made history in Himalayan mountaineering by climbing K2 (8,611m) without supplemental oxygen, then paragliding from the summit. The couple achieved a highly coveted first, and for Zébulon, the feat was all the more impressive as he had already completed the first tandem paragliding flight from Everest in 2001. More than just a climb, this film is a love story where Liv and Zeb share their doubts, emotions, and determination, carrying a shared dream where every step is taken together, united to the very end.

In the shady campgrounds of Yosemite valley, climbers carved out a counterculture lifestyle of dumpster-diving and wild parties that clashed with the conservative values of the National Park Service. And up on the walls, generation after generation has pushed the limits of climbing, vying amongst each other for supremacy on Yosemite's cliffs. "Valley Uprising" is the riveting, unforgettable tale of this bold rock climbing tradition in Yosemite National Park: half a century of struggle against the laws of gravity -- and the laws of the land.

It is a fact that our winters are less and less cold. Therefore it is harder and harder to get the conditions for ice-climbing. Fortunately, man adapts to his environment and makes progress: this is how dry-tooling was born. This movie will make you discover this discipline: its history, its evolution and the current practice. You will also see how much excitement dry tooling can bring. Dry-tooling now allows to free-climb some routes which were impossible to climb without aid in the past.

THE QUEST: Everest is a journey to deeper understand and climb the most iconic mountain in the world, Mt. Everest, and to reveal its amazing history and culture. From experiencing Everest like never before to witnessing unique stories about one of the most remarkable places on earth, THE QUEST: Everest is a one-of-a-kind cinematic tribute to the human spirit of adventure that lives inside us all.









