The film follows three renowned vocal coaches and their students during private lessons. As the pupils prepare for their upcoming final evaluations, perfect technique is expected to produce impeccable results. Listening primarily to their voices, we feel intensity and intimacy arise between teachers and students – an atmosphere in which transcendence is being built.

In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.

A film about the first benefit rock concert when major musicians performed to raise relief funds for the poor of Bangladesh. The Concert for Bangladesh was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide.

Oasis Knebworth 1996 - the eagerly anticipated feature length documentary telling the story of the special relationship between Oasis and their fans that made the largest concert of the 90's possible, directed by Grammy Award-winner Jake Scott. It is told entirely in the moment through the eyes of the fans who were there, built around extensive and never before seen archive concert and backstage footage from the event, with additional interviews with the band and concert organisers. Also included are the full concerts from both nights, edited by Dick Carruthers with audio mixed by Will Shapland in 5.1 surround sound.

Simon Eskenazy is a gay Parisian clarinet player who lives his single life to the fullest. One day, he receives a very tempting offer from his homophobic uncle, looking to continue the family legacy – if he gets married and has a child, he will receive ten million francs and inherit his uncle's luxurious mansion. After meeting Rosalie Baumann at his cousin David's wedding, and with some convincing on his mother's part, Simon sees an opportunity to fulfill his uncle's wishes and the pair go ahead and get married, but not before traveling to New York to meet Rosalie's Orthodox Jewish family. As Simon tries to develop real feelings for Rosalie, he struggles with his feelings for his newlywed cousin David.

Mom sends her daughter to grandma's with pies and she meets a wolf on a forest path. However, the beast fails to deceive the girl. The heroes ride motorcycles, speak exclusively in youth slang, and the Wolf communicates with his "old rocker" dad via e-mail.

Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of them knows anything about cowboys, horses, or anything else.

Although the son of a skilled golfer and an outstanding player in his own right, Harvey Miller is too nervous to play in front of a gallery, so he acts as coach and caddy for Joe Anthony, his girlfriend's brother.

A zombie apocalypse threatens the sleepy town of Little Haven—at Christmas—forcing Anna and her friends to fight, slash, and sing their way to survival. In a desperate race to reach their loved ones, they soon learn that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.

A perfect housewife, who just happens to be sex-starved, struggles to keep her emotions in check when an attractive family moves in next door.

A prison-set musical about a female theater director who sets up a reinterpretation of the Crucifixion.

Best known for their megahit ’80s anthem "Don't You (Forget About Me)”—made famous in John Hughes’ The Breakfast Club—Simple Minds is one of the most iconic and influential Scottish bands in history. From working-class kids growing up in post-industrial Glasgow to rock stars playing Live Aid, this is the unlikely story of an extraordinary band that continues touring to this day.