In the window of the house, where some say the sweetness dwells, is reflected, every night, a delicious story.

After traveling hundreds of miles, a woman must wait another twenty-four hours before she can get an abortion.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Manuela isolates herself in an empty apartment after the death of a friend of hers. Fearing for her loneliness, Cristina, her friend, goes to look for her to accompany her in those moments and take her away from that place.

Reeling from his sister’s death, a NYC playwright searches for fulfillment in a sex-and-drug filled odyssey. When he’s reunited with a childhood love, their shared journey of self-discovery catalyzes a profound, existential awakening.

Jack is the fastidious manager of a local supermarket. The harmless but disruptive actions of his customers frequently give him headaches, which he remedies by holding a can of frozen juice against his forehead. At home, however, Jack is consistently kind, loving, and patient with his wife and daughter. One day the child brings home a stray dog, and his life is turned upside down.

Ben is an art college student in London, whose imagination runs wild as he works the late-night shift at the local supermarket. What do he and his colleagues do to pass the long, endless hours of the night?

Prompted by the death of his father and the grief of his mother, a man recalls the story of how they met in flashback.

Why won't the light turn off?

The story follows Maria – a teenager whose mother used to be a hoarder. Now (set in the 90s) she lives in a foster home where a previous resident, Michael, inspires her to revisit the childhood memories and passions that she has repressed.

Mother and daughter, separated and alone, mourn the death of their respective husband and father. After this, they begin to hear mysterious noises and enter a progressive spiral of terror and paranoia. The different ways of facing loss, anxiety, pain and lack of communication.

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