In 2006 one of the most iconic mixtape sagas in the history of Italian rap made its appearance to teach Italy what rap was. 15 years later " Fastlife " returns to the scene, because it is necessary to remember that lesson with a new vigor.

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This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.

Promotion reel/souvenir of a 1939-40 meeting of the Paramount Studios sales people.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

Fields of France, during the First World War. A group of young soldiers, united by the indiscriminate brutality of battle, fights to maintain their humanity in an endless cycle of combat and death.

Documentary on the life of actor Yusaku Matsuda. This is a documentary film produced on the occasion of the 60th anniversary of the birth of actor Yusaku Matsuda and the 20th anniversary of his death . It is composed of newly shot interviews as well as real voice interviews and treasured videos that were not officially revealed until now.

The most bigoted room is the least bigoted room. One night at the Comedy Store's Roast Battle.

Documentary about film.

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A crew of filmmakers shoot undercover on the streets of Hong Kong with hidden microphones and no permits. The city becomes a giant set as mounting tension and ego clashes push tempers to breaking point.

Seni Camara lives with her husband and family in the village of Bigona, in the Casamance region in southern Senegal. Working outside the local tradition of making pots and “useful” objects out of clay, Seni claims that through a “gift of God” she has been able to create thousands of bizarre, magnificent creatures — clay sculptures of astonishing originality. Although the villagers don’t know quite what to make of Seni and her art, she continues to work to support her family and to satisfy her own creative urge. The film follows Seni and her husband as they prepare the materials of her art. Together they dig up the hard dirt of the land and slowly mix it with water and sand until the clay is ready to be molded (she tells by taste). While Seni does the intense work of shaping the wet clay into her truly original forms, her husband prepares the final dye bath by harvesting and soaking wild nuts in water. Finally they fire the sculptures and dye them.