A historical recreation of the experience of Canadian soldiers in World War One, with a cast of descendants of the people who participated in it.

Francois the Tree Man is far from his wife and three small children in Quebec, selling Christmas trees and living in a van on the streets of New York City. He does it for them. But this is home, too. Like the hundreds of Christmas tree sellers who descend upon the city from Canada, New England and even Europe, Francois delivers the magic of the season over a grueling month in his adopted neighborhood. He's a star, a storyteller, a Santa Claus in a sap-stained coat, a confidant, a friend, and a father figure to the local characters who are his New York family. They also need him. TREE MAN is the story of Francois's journey, how he arrived here, what holds him, and the conflict that will cause him to leave. As one of Francois' long-time customers says: "This has nothing to do with the trees anymore."

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

Documentary following a group of primary schoolchildren over the course of a year as they learn to read. Some of them make a flying start, but others struggle even with the alphabet. The film takes us into their home lives, where we find that some parents are strongly aspirational, tutoring children late into the night, while others speak English as a foreign language, if at all. As the children master the basics, they discover the magical world of stories and look with fresh eyes at the world around them. The film gives us privileged access to a profound process that all of us only ever do once in our lives.

Film accompanying the book of the same name by Nelvana Enterprises founders Michael Hirsh and Patrick Loubert, with partner Clive Smith as designer and illustrator. It looks at the "Canadian Whites" series of comic books made during World War II, with some focus on Nelvana of the Northern Lights, the genre's first superheroine, and Johnny Canuck. It was accompanied by a two-year travelling tour of the art, the National Gallery of Canada's "Comic Art Traditions in Canada, 1941–45". This is Nelvana Enterprises' first film.

When it was announced in May of 2016 that lead singer Gord Downie had been diagnosed with terminal brain cancer, the band decided that they would do one final run of 15 dates across Canada. A National Celebration was the final show of the Tragically Hip's Man Machine Poem Tour recorded on August 20th, 2016 at the K-Rock Centre in their home town of Kingston Ontario. Originally aired live by CBC across all platforms, the concert was experienced by an estimated one-third of Canadians, among the biggest events in the country's broadcast history.

Folk portraiture, images of children in suburbia.

Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.

From the unique vantage point of 200 miles above Earth's surface, we see how natural forces - volcanoes, earthquakes and hurricanes - affect our world, and how a powerful new force - humankind - has begun to alter the face of the planet. From Amazon rain forests to Serengeti grasslands, Blue Planet inspires a new appreciation of life on Earth, our only home.

Driven by dedication, sacrifice and raw talent, 30 elite cheerleading teams compete to become the sport's ultimate champion.

In this film a game of poker is played whilst a voice over tells a fascinating tale involving coincidence, political aspiration and improbability, in the context of recent history. There is a Shakespearean feel to this work, with its account of chance events and encounters set on an obscure island.

With breathtaking clarity, renowned University of Massachusetts Economics Professor Richard Wolff breaks down the root causes of today's economic crisis, showing how it was decades in the making and in fact reflects seismic failures within the structures of American-style capitalism itself. Wolff traces the source of the economic crisis to the 1970s, when wages began to stagnate and American workers were forced into a dysfunctional spiral of borrowing and debt that ultimately exploded in the mortgage meltdown. By placing the crisis within this larger historical and systemic frame, Wolff argues convincingly that the proposed government "bailouts," stimulus packages, and calls for increased market regulation will not be enough to address the real causes of the crisis, in the end suggesting that far more fundamental change will be necessary to avoid future catastrophes.